The Modern Downhome Blues Sessions, Vol. 3; Memphis On Down

 

 The Modern Downhome Blues Sessions Vol. 3: Memphis On Down focuses on recordings done in the early 1950's in Memphis that Sam Phillips shopped to Modern/RPM in 1950/51, Helena, Arkansas and five cuts by the Dixie Blues Boys which were done in Los Angeles in 1955. The featured artists include Willie Nix, Howlin' Wolf, Walter Horton, Joe Hill Louis, Bobby Bland, Alfred "Blues King" Harris, James "Peck" Curtis, Robert "Dudlow" Taylor and Jim Lockhart.

 "This third volume of raw, Southern (or Southern-style) blues, largely of the early electric sort, concentrates on recordings done in the early '50s in Memphis and Arkansas, though the five Dixie Blues Boys tracks were done in Los Angeles in 1955. Make no mistake about it: despite the presence of a few big names, this is one for the collector. If you want a better listening experience of material from Modern's recordings in the area, you'd be better off with single-artist anthologies of sides cut at the time for the label by Howlin' Wolf, Elmore James, Walter Horton, Joe Hill Louis, and others. If you've gone through that layer and want a whole lot more, however, this is what you want, digging into some rare and previously unissued tracks, often by artists unknown even to many blues experts. Generally, it documents a time when Southern blues was just making its transition from the rural acoustic form to the citi-fied electric one, albeit in a raw, at times even tentatively clumsy manner. The most satisfying numbers are, unsurprisingly, by the most famous performers, capturing some major performers in their early formative days, including Howlin' Wolf (represented by two 1951 sides); Bobby "Blue" Bland (whose "Drifting From Town to Town," recorded with Little Junior Parker, didn't first see light until 1969); and Walter Horton (heard on his 1951 single "You Tell Me Baby"). Even the tracks by obscure names often include major players as sidemen, such as Howlin' Wolf guitarist Blind Willie Johnson, Matt Murphy (who plays on the Bland cut), and Sonny Boy Williamson. The remaining material isn't up to lost classic status, and in fact it's sometimes forgettable. But there are still some good outings to be heard by Willie Nix (whose "Try Me One More Time," from 1951, comes close to a rockabilly beat) and the more rudimentary Joe Hill Louis (particularly a previously unissued fast version of "Joe Hill Boogie"). Seven of the 26 tracks were previously unreleased..." AMG