This is a repost of my 2012 post, I've redone the rip at least once since then.LOOK CLOSELY my friends, it does not get much rarer than this! (unless of course you are talking volumes 2 & 3) Three records were ever published on Blue Flame, this one, a Volume 2, and a Volume 3! My friend Cliff bought this in the mid 70's prior to leaving Chicago; the record is still in good shape! (Blue Flame was a independent Chicago Blues weekly) A copy of Vol. 2 was posted in 2012 @ 'Don't Ask Me... Blog. To date I only know of the existence of a third volume through comments elsewhere.
"Little Mack Simmons (January 25, 1933 — October 24, 2000) was an African American, Chicago blues harmonica player, singer and songwriter.Malcolm Simmons was born in Twist, Arkansas. In his youth he befriended James Cotton, and they grew up learning to play the harmonica. Simmons relocated to St. Louis, Missouri, at the age of 18 and worked on the railroad. At this time Simmons made his stage debut with Robert Nighthawk.
In 1954 he moved again to Chicago, put together his own backing band, and had a five year residency at Cadillac Baby's. He commenced recording in 1959, issuing records on a number of labels including Chess.
In the late 1950s and early 1960s Simmons recorded several more obscure singles, often simply billed as Little Mack (or Mac). Simmons went on to provide the opportunity for others talents to be seen. He owned and managed Chicago's Zodiac Lounge from the mid to late 1960s. In addition, he owned a recording studio and recorded on his own labels, PM Records and Simmons Records. Simmons left the music industry at that time for the ministry, and was rarely heard in 30 years, notwithstanding an album he recorded in 1975 in Paris, France.
His return to blues music arrived with High & Lonesome (1995), which was an early success for St. George Records, an independent record label. Simmons' energetic style, accompanied by Studebaker John, belied his years. Come Back to Me Baby (1996), with featured sidemen John Primer, Willie Kent and Jake Dawson (guitarist) was also well received.
Simmons died in October 2000, of colon cancer, in his adopted hometown of Chicago, at the age of 67."
Homesick James (May 3, 1914 – December 13, 2006) was an American blues musician. He most notably played slide guitar, and recorded covers of "Stones In My Passway" and "Homesick". James worked with his cousin, Elmore James, and Sonny Boy Williamson II. He was born in Somerville, Tennessee, United States, the son of Cordellia Henderson and Plez Williamson Rivers, who were both musicians. He developed a self-taught style of slide guitar through playing at local dances in his teens. Little is known about his early life. He claimed to have played with Yank Rachell, Sleepy John Estes, Blind Boy Fuller and Big Joe Williams, among others, and to have been acquainted with Robert Johnson. He also claimed to be the older cousin of Elmore James, to have bought James his first guitar, and to have taught him how to play slide. However, some of these claims are unconfirmed.
By the mid 1930s he was based in Chicago, and working with Horace Henderson's band at the Circle Inn, and with pianist Jimmy Walker at the Square Deal Club. He may have first recorded for RCA Victor in 1937, but this is also unconfirmed, and by 1938 may have begun playing electric guitar. His first known recordings were in 1952 for Chance Records, recording the tracks "Lonesome Ole Train" and "Homesick" which gave him his stage name. During the late 1940s and 1950s he worked with both Sonny Boy Williamson II (Rice Miller), and with Elmore James, and in the early 1950s he worked in bands including Baby Face Leroy Foster, Snooky Pryor, Floyd Jones, and Lazy Bill Lucas. He was a longtime member of Elmore James' band from 1955 to 1963, contributing to such tracks as "Dust My Broom," "The Sky Is Crying," and "Roll and Tumble." Elmore James is said to have died on Homesick's couch, while the latter frantically searched for the former's heart pills.
As a solo performer, he recorded for the Colt and USA labels in 1962, including a cover version of Robert Johnson's "Crossroads". Homesick James's slide guitar style, not as refined as Elmore James', traces back to Johnson's. He also recorded a 1964 album for Prestige Records, Blues On the South Side (Prestige OBCCD 529-2), including another of his best-known covers, "Stones In My Passway", and some tracks for Vanguard that are available on the compilation album Chicago: The Blues Today. One of his own songs, "Gotta Move" (also on Blues On the South Side) was covered (as "Got To Move") both by Elmore James and Fleetwood Mac."
Theodore Roosevelt "Hound Dog" Taylor (April 12, 1915 - December 17, 1975) was an American Chicago blues guitarist and singer. Taylor was born in Natchez, Mississippi in 1915 (although some sources say 1917). He originally played piano, but began playing guitar when he was 20. He moved to Chicago in 1942.He became a full-time musician around 1957 but remained unknown outside of the Chicago area where he played small clubs in the black neighborhoods and also at the open-air Maxwell Street Market. He was known for his electrified slide guitar playing roughly styled after that of Elmore James, his cheap Japanese Teisco guitars, and his raucous boogie beats. He was also famed among guitar players for having six fingers on his left hand.
After hearing Taylor with his band, the HouseRockers (Brewer Phillips on second guitar and Ted Harvey on drums) in 1970 at Florence's Lounge on Chicago's South Side, Bruce Iglauer - at the time a shipping clerk for Delmark Records - tried to get him signed by his employer. Having no success getting Delmark to sign Taylor, Iglauer formed a small record label with a $2500 inheritance and recorded Taylor's debut album, Hound Dog Taylor and the HouseRockers, on his fledgling Alligator Records in 1971. It was the first release on Alligator, now a major blues label. It was recorded in a studio in just two nights. Iglauer began managing and booking the band, which toured nationwide and performed with Muddy Waters and Big Mama Thornton. The band became particularly popular in the Boston area, where Taylor inspired a young protégé named George Thorogood. A live album Live At Joe's Place documented a Boston appearance from 1972.
Their second release, Natural Boogie, was recorded in late 1973, and led to greater acclaim and touring. In 1975, Taylor and his band toured Australia and New Zealand with Freddie King and Sonny Terry and Brownie McGhee. His third Alligator album, Beware of the Dog, was recorded live in 1974 but was only released after his death. More posthumous releases occurred as well, including Genuine Houserocking Music and Release the Hound, on the Alligator label as well as some bootleg live recordings.
Taylor died of lung cancer in 1975, and was buried in Restvale Cemetery in Alsip, Illinois.
Taylor was posthumously inducted into the Blues Hall of Fame in 1984.
