Tyrone Davis - Can I Change Your Mind & Turn Back the Hands of Time

Tyrone Davis (May 4, 1938 – February 9, 2005), born Tyrone Fettson, was a leading American soul singer with a distinctive style, recording a long list of hit records over a period of more than 20 years. He had three no. 1 hits on the Billboard R&B chart: "Can I Change My Mind" (1968), "Turn Back The Hands Of Time" (1970), and "Turning Point" (1975).

Tyrone Fettson was born in a rural community twenty miles outside of Greenville, Mississippi to Willie Branch and Ora Lee Jones. He moved with his father to Saginaw, Michigan, before relocating to Chicago in 1959.

Working as a valet/chauffeur for blues singer Freddie King, he started singing in local clubs where he was discovered by record executive/musician Harold Burrage. His early records for small record labels in the city, billed as "Tyrone the Wonder Boy", failed to register. Successful Chicago record producer Carl Davis signed him in 1968 to a new label, Dakar Records that he was starting as part of a distribution deal with Atlantic, and suggested that he use the stage name Tyrone Davis. His first release, "A Woman Needs To Be Loved" was flipped when the b-side started to get radio attention. The song, "Can I Change My Mind" featured a change of vocal style for Davis with a softer, more pleading approach and tone. The record now shot up the listings and spent three weeks on the top of the Billboard R&B chart while climbing to #5 in the Hot 100. It sold over one million and received gold disc recognition. His biggest hit came in early 1970 when "Turn Back The Hands Of Time" also reached #1 in the R&B chart and went up to #3 in the Hot 100 pop chart. Written by Jack Daniels and Bonnie Thompson, this disc also sold over one million copies, and received a gold disc awarded by the Recording Industry Association of America in May 1970.

Davis released about 25 singles during his seven years with Dakar, most of them big R&B sellers produced by Willie Henderson. He finally returned to the top spot with "Turning Point" in 1975. Soon afterwards, Davis switched to the major Columbia record label and recorded seven albums over the next five years with producer Leo Graham and arranger James Mack who had collaborated with him for "Turning Point". Major hits with Columbia included "Give It Up" (#2), "This I Swear" (#6), and "In The Mood" (#6).

1982 brought a change of label to the newly-established independent, Highrise and another major hit, "Are You Serious" (#3 R&B, #57 pop), again produced by Leo Graham, and written by L.V. Johnson. When Highrise closed the following year, Davis switched to a tiny Los Angeles label Ocean Front which lacked promotional muscle to get behind arguably one of his best performances, "Let Me Be Your Pacifier". Davis' days as a major chart act were over but he continued to be a popular live attraction and finally signed in 1996 with Malaco Records, the southern-based blues label recording him on a number of albums.

A stroke in September 2004 curtailed his career, and following complications he died in a Chicago hospital in February 2005 at the age of 66. He left a widow, Ann, to whom he had been married for over 40 years, and several children and grandchildren

Tyrone Davis - Call Tyrone & Pleasing You

Tyrone's second and third Malaco albums find him in fine voice even if the synthesized background leaves something to be desired. If you are a fan, these are still well worth the time for a listen.

Tyrone Davis - Home Wrecker 1974 & Love And Touch 1976

"Tyrone Davis never seems to miss – and even on an overlooked Brunswick album like this, he still sounds better than most of his contemporaries! Davis is really able to blend both deep soul roots and more sophisticated phrasing – at a level that helped transform the sound of southern soul in the 70s! Even though Tyrone himself hailed from Chicago, he has a vibe here that clearly informs new modes from singers like George McCrae, Johnny Taylor, and many others who'd move in the same direction that Davis had been handling this well for years. Arrangement and production are by the cream of the Brunswick stable – talents that include Carl Davis, Willie Henderson, Monk Higgins, and Otis Leavill – and titles include the great cut "Homewreckers", written by Sam Dees and Tyrone – plus "Was I Just A Fool", "How Could I Forget You", "It Aint' Me No More", "This Time", and "After All This Time"."  © 1996-2014, Dusty Groove, Inc.

From 1976 comes another stone-cold winner, this time a big bucks Columbia production that I must admit I don't remember. That only means that that I missed it because this is classically smooth and soulful Tyrone.  Despite the obvious echoes of the surrounding Disco age (in that suit too) I find this to be some pretty enjoyable stuff right here!!