Showing posts with label Cobra Records. Show all posts
Showing posts with label Cobra Records. Show all posts

Sunday, August 21, 2016

Otis Rush - The Cobra Recordings 1956-58

Church is out...the last choice bit of the weekend remains...time for some good time blues!... I gotta tell ya Otis is one of my personal all time faves!

"Otis Rush (born April 29, 1935 in Philadelphia, Mississippi
) is a blues musician, singer and guitarist. His distinctive guitar style features a slow burning sound and long bent notes. With similar qualities to Magic Sam and Buddy Guy, his sound became known as West Side Chicago blues and became an influence on many musicians including Michael Bloomfield and Eric Clapton.

Rush is left-handed and, unlike many other left-handed guitarists, plays a left-handed instrument strung upside-down with the low E string at the bottom. He played often with the little finger of his pick hand curled under the low E for positioning. It is widely believed that this contributes to his distinctive sound. He has a wide-ranging, powerful tenor voice.

After moving to Chicago, Illinois in 1948, Rush made a name for himself playing in clubs on both the South Side and West Side blues scenes. From 1956 to 1958, he recorded for the Cobra Records and released eight singles, some featuring Ike Turner or Jody Williams on guitar. His first single "I Can't Quit You Baby" in 1956 reached No. 6 on Billboard's R&B chart. During his tenure with Cobra, he recorded some of his well known songs such as "Double Trouble" and "All Your Love (I Miss Loving)."

After Cobra Records went bankrupt in 1959, Rush landed a recording contract with Chess in 1960. He recorded eight tracks for the label, four of which were released on two singles that year. Six tracks including the two singles later came out on "Door To Door" album in 1969, a compilation also featuring Chess recordings by Albert King. He also went into the studio for Duke Records in 1962, but only one single "Homework/I Have to Laugh" was issued from the label. It also received a release in Great Britain on Vocalion VP9260 in 1963. In 1965, he recorded for Vanguard which can be heard on the label's compilation album, Chicago/The Blues/Today! Vol.2.

In the 1960s, Rush began playing in other cities in the U.S. and also to Europe, most notably the American Folk Blues Festival. In 1969, the album Mourning in the Morning was released on Cotillion Records. Recorded at the FAME Studios in Muscle Shoals, Alabama, the album was produced by Michael Bloomfield and Nick Gravenites (then of Electric Flag). The sound that incorporated soul and rock was a brand new direction for Rush.

In 1971, Rush recorded the album Right Place, Wrong Time in San Francisco, California for Capitol Records, but Capitol decided not to release it. The album was finally released in 1976 when Rush purchased the master from Capitol and had it released by P-Vine Records in Japan. Bullfrog Records released it in the U.S. soon after. The album generally has since gained a reputation as one of the best works by Rush. In the 1970s, he also released some albums on Delmark Records and also from Sonet Records in Europe, but by the end of the decade he stopped performing and recording.

Rush made a come back in 1985 making a U.S. tour and releasing the live album, Tops, recorded at the San Francisco Blues Festival. In 1994, Rush released Ain't Enough Comin' In, the first studio album in 16 years.  Any Place I'm Goin' followed in 1998, and Rush earned his first Grammy Award for Best Traditional Blues Album in 1999.

Though he has not recorded a new studio album since 1998, he continued to tour and perform. In 2002, he was featured on the Bo Diddley tribute album Hey Bo Diddley - A Tribute!, performing the song "I'm A Man" produced by Carla Olson. However, he suffered a stroke in 2004 which has kept him from performing since. In 2006, Rush released his latest CD, Live and From San Francisco on Blues Express Records, a live recording from 1999. Video footage of the same show was released on the DVD Live Part 1 in 2003."

Saturday, July 14, 2012

The Essential Magic Sam

Samuel "Magic Sam" Gene Maghett (February 14, 1937 – December 1, 1969) was an American Chicago blues musician. Maghett was born in Grenada, Mississippi, United States, and learned to play the blues from listening to records by Muddy Waters and Little Walter. The family moved to Chicago when Sam was 13. Shortly afterward another Mississippi family moved in next door and Sam met best friend Syl Thompson (nee Johnson) with whom he had his first bands. At the age of nineteen, he was signed by Cobra Records and became well known as a bluesman after his first record, "All Your Love" in 1957. He was known for his distinctive tremolo-guitar playing.

Sam recorded for Cobra Records from 1957 to 1959, recording singles, including "All Your Love" and "Easy Baby". They did not appear on the record charts, yet they had a profound influence, far beyond Chicago's guitarists and singers. Together with recordings by Otis Rush and Buddy Guy (also Cobra artists), they made a manifesto for a new kind of blues.  Around this time Sam also worked briefly with Homesick James Williamson. Sam gained a following before being drafted into the Army. Not a natural soldier, Sam deserted after a couple of weeks' service and was subsequently caught and sentenced to six months imprisonment. He was given a dishonourable discharge on release, but the experience had undermined his confidence and immediate recordings for Mel London's Chief Records lacked the purpose of their predecessors.

In 1963, he gained national attention for his single "Feelin' Good (We're Gonna Boogie)". After successful touring of the US, UK, and Germany, he was signed to Delmark Records in 1967, where he recorded West Side Soul and Black Magic. He also continued performing live and toured with blues harp player Charlie Musselwhite and Sam Lay.

Sam's breakthrough performance was at the Ann Arbor Blues Festival in 1969, which won him many bookings in the U.S. and Europe. His life and career was cut short when he suddenly died of a heart attack in December 1969. He was 32 years old. He was buried in the Restvale Cemetery in Alsip, Illinois. In February 1970, the Butterfield Blues Band played at a benefit concert for Magic Sam, at Fillmore West in San Francisco. Also on the bill were Mike Bloomfield, Elvin Bishop, Charlie Musselwhite, and Nick Gravenites.

His guitar style, vocals, and songwriting ability have inspired and influenced many blues musicians ever since. In The Blues Brothers, Jake Blues dedicates the band's performance of "Sweet Home Chicago" to the "late, great Magic Sam".

The stage name, Magic Sam, was devised by Sam's bass player and childhood friend Mack Thompson (Syl's older brother), at Sam's first recording session for Cobra, from an approximation of "Maghett Sam". The name Sam was using at the time, Good Rocking Sam, was already being used by another artist.

"Magic Sam had a different guitar sound," said his record producer, Willie Dixon. "Most of the guys were playing the straight 12-bar blues thing, but the harmonies that he carried with the chords was a different thing altogether. This tune "All Your Love", he expressed with such an inspirational feeling with his high voice. You could always tell him, even from his introduction to the music."