Showing posts with label Screamin' Jay Hawkins. Show all posts
Showing posts with label Screamin' Jay Hawkins. Show all posts

Friday, October 31, 2014

Screamin' Jay Hawkins - Voodoo Jive

 Jalacy Hawkins (July 18, 1929 – February 12, 2000), Born and raised in Cleveland, Ohio, Hawkins studied classical piano as a child and learned guitar in his twenties. His initial goal was to become an opera singer (Hawkins has cited Paul Robeson as his musical idol in interviews), but when his initial ambitions failed he began his career as a conventional blues singer and pianist.

Hawkins was an avid and formidable boxer. In 1949, he was the middleweight boxing champion of Alaska.

In 1951, Hawkins joined guitarist Tiny Grimes's band, and was subsequently featured on some of Grimes's recordings. When Hawkins became a solo performer, he often performed in a stylish wardrobe of leopard skins, red leather and wild hats.

His most successful recording, "I Put a Spell on You" (1956), was selected as one of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. According to the AllMusic Guide to the Blues, "Hawkins originally envisioned the tune as a refined ballad." The entire band was intoxicated during a recording session where "Hawkins screamed, grunted, and gurgled his way through the tune with utter drunken abandon." The resulting performance was no ballad but instead a "raw, guttural track" that became his greatest commercial success and reportedly surpassed a million copies in sales, although it failed to make the Billboard pop or R&B charts.

The performance was mesmerizing, although Hawkins himself blacked out and was unable to remember the session. Afterward he had to relearn the song from the recorded version. Meanwhile the record label released a second version of the single, removing most of the grunts that had embellished the original performance; this was in response to complaints about the recording's overt sexuality. Nonetheless it was banned from radio in some areas.

Soon after the release of "I Put a Spell on You", radio disc jockey Alan Freed offered Hawkins $300 to emerge from a coffin onstage. Hawkins accepted and soon created an outlandish stage persona in which performances began with the coffin and included "gold and leopard skin costumes and notable voodoo stage props, such as his smoking skull on a stick – named Henry – and rubber snakes." These props were suggestive of voodoo, but also presented with comic overtones that invited comparison to "a black Vincent Price."

Hawkins' later releases included "Constipation Blues" (which included a spoken introduction by Hawkins in which he states he wrote the song because no one had written a blues song before about "real pain"), "Orange Colored Sky", and "Feast of the Mau Mau". Nothing he released, however, had the monumental success of "I Put a Spell on You". In fact, "Constipation Blues" has been described as "gross".In Paris in 1999 and at the Taste of Chicago festival, he actually performed the song with a toilet onstage.

He continued to tour and record through the 1960s and 1970s, particularly in Europe, where he was very popular. He appeared in performance (as himself) in the Alan Freed bio-pic American Hot Wax in 1978. Subsequently, filmmaker Jim Jarmusch featured "I Put a Spell on You" on the soundtrack – and deep in the plot – of his film Stranger Than Paradise (1983) and then Hawkins himself as a hotel night clerk in his Mystery Train and in roles in Álex de la Iglesia's Perdita Durango and Bill Duke's adaptation of Chester Himes' A Rage in Harlem.

In 1983, Hawkins relocated to the New York area. In 1984 and 1985, Hawkins collaborated with garage rockers The Fuzztones, resulting in "Screamin' Jay Hawkins and The Fuzztones Live" album recorded at Irving Plaza in December 1984. They perform in the 1986 movie Joey.

In July 1991, Hawkins released his album Black Music for White People. The record features covers of two Tom Waits compositions: "Heart Attack and Vine" (which, later that year, was used in a European Levi's advertisement without Waits' permission, resulting in a lawsuit), and "Ice Cream Man" (which, contrary to popular belief, is a Waits original, and not a cover of the John Brim classic). Hawkins also covered the Waits song, "Whistlin' Past the Graveyard", for his album Somethin' Funny Goin' On. In 1993, his version of "Heart Attack and Vine" became his only UK hit, reaching #42 on the UK singles chart.

Hawkins died on February 12, 2000 after surgery to treat an aneurysm. He left behind many children by many women; an estimated 55 at the time of his death, and upon investigation, that number "soon became perhaps 75 offspring"

Wednesday, July 25, 2012

Tiny Grimes and his Rockin' Highlanders

I count myself amongst the lucky folks who got to see Tiny play, he was marvelous! The dl has volumes one and two; I understand there is a volume three but I don't have it.

Lloyd "Tiny" Grimes (July 7, 1916 – March 4, 1989) was an American jazz and R&B guitarist. He was a member of the Art Tatum Trio from 1943 to 1944, was a backing musician on recording sessions, and later led his own bands, including a recording session with Charlie Parker. He is notable for playing the tenor guitar, a four-stringed electric instrument.


Grimes was born in Newport News, Virginia, and began his musical career playing drums and one-fingered piano. In 1938 he took up the electric 4-string tenor guitar. In 1940 he joined Cats and a Fiddle as guitarist and singer. In 1943 he joined the Art Tatum Trio as guitarist and made a number of recordings with Tatum. The early Tatum Trio recordings contain some of the more interesting early examples of Tiny Grimes’ guitar work.

After leaving Tatum, Grimes recorded with his own groups in New York and with a long list of leading musicians, including vocalist Billie Holiday. He made four recordings with his own group augmented with Charlie Parker that are considered excellent examples of early bebop jazz: "Tiny’s Tempo", "Red Cross", "Romance Without Finance", and "I’ll Always Love You Just The Same", the latter two featuring Grimes' singing. He was one of the 52d street regulars.

In the late 1940s, he had a hit on a jazzed-up version of "Loch Lomond", with the band billed as Tiny "Mac" Grimes and the Rocking Highlanders and appearing in kilts. This groups included top tenor saxman Red Prysock and singer Screaming Jay Hawkins. Grimes continued to lead his own groups into the later 1970s and he recorded on Prestige Records in a series of strong blues-based performances with Coleman Hawkins, Illinois Jacquet, Pepper Adams, Roy Eldridge and other noted players including, in 1977, Earl Hines.



With Paul Williams, he co-headlined the first Moondog Coronation Ball, promoted by Alan Freed in Cleveland, Ohio on March 21, 1952, often claimed as the first rock and roll concert. In 1953 he may have played on The Crows one-hit wonder, "Gee", that has been called the first original rock and roll record by an R&B group.

Grimes died in March 1989, in New York, from meningitis, at the age of 72