Showing posts with label Alligator Records. Show all posts
Showing posts with label Alligator Records. Show all posts

Thursday, April 10, 2014

Albert Collins - Ice Pickin'

Albert Collins (October 1, 1932 – November 24, 1993) was an American electric guitarist and singer with a distinctive guitar style. Collins was noted for his powerful playing and his use of altered tunings and capo. His long association with the Fender Telecaster led to the title "The Master of the Telecaster". (Wiki)

Albert Collins was a wonderful funky guitarist and  vocalist in the Texas tradition of  tough, notable Blues players - He has an immediately recognizable and unique musical personality  and I consider him one of the Greats ! Easily proved by a first listen ...

Here is one of his most popular albums, from 1978 (his first and best from Alligator Records), which showcases his individuality, catching his guitar and voice perfectly and his talented band...His hard attack and snappy guitar style was a big influence on Robert Cray...More info in the scan notes.


Personnel : Albert Collins - Guitar & Vocals, Larry Burton - Guitar, Alan Batts - Keyboards, Aron Burton - Bass, Casey Jones - Drums, A C Reed - Tenor Sax, Chuck Smith - Baritone Sax.

Tracks : 01 Honey Hush ! 02 When The Welfare Turns Its Back On You 03 Ice Pick 04 Cold Cold Feeling 05 Too Tired 06 Master Charge 07 Conversation With Collins 08 Avalanche

Wednesday, March 26, 2014

Son Seals - Midnight Son 1976

Wow! Have we really made it this far without a Son Seals post?? I LOVE this guy - live he was a similar experience to Luther Allison, he just wore your ass out! You did not walk away from a Son Seals' show un-satted!

"He was born in Osceola, Arkansas where his father, Jim "Son" Seals, owned a small juke joint. He began performing professionally by the age of 13, first as a drummer with Robert Nighthawk, and later as a guitarist. At age 16, he began to play at the T-99, a local upper echelon club, with Walter Jefferson, “Little Walter”, who was his brother in law. At the T-99, he played with many other musicians, such as Albert King, Rufus Thomas, Bobby Bland, Junior Parker, and Rosco Gordon. Their varying styles contributed to the development of Seals' own playing techniques. While playing at the T-99, he was also introduced to country-western music by Jimmy Grubbs, who would ask Seals to gig with his group every now and then on both drums and guitar. At 19 years old, he formed his own band to fill in at a local club in Osceola called the Rebel Club. Shortly thereafter, a man from Little Rock, Arkansas came to find “Little Walter” for a gig at his club, but when he turned it down the offer went to Seals. The band members were “Old man Horse” (Johnny Moore) on piano, Alvin Goodberry on either drums, guitar, bass, or piano, “Little Bob” (Robinson) on vocals, and Walter Lee “Skinny Dynamo” Harris on piano. The band’s name was “Son Seals and the Upsetters.”

In 1971, Seals moved to Chicago. His career took off after he was discovered by Bruce Iglauer of Alligator Records at the 'Flamingo Club' in Chicago's South Side. His debut album, The Son Seals Blues Band, was released in 1973. The album included "Your Love Is Like a Cancer" and "Hot Sauce". Seals followed up with 1976's Midnight Son and 1978's Live and Burning. He continued releasing albums throughout the next two decades, all but one on Alligator Records. These included Chicago Fire (1980), Bad Axe (1984), Living in the Danger Zone (1991), Nothing But the Truth and Live-Spontaneous Combustion (1996). He received the W.C. Handy Award in 1985, 1987, and 2001.

Author Andrew Vachss was a friend of Seals, and used his influence to promote Seals' music. Vachss gave Seals several cameo appearances in his novels and co-wrote songs with him for his 2000 album, Lettin' Go. Vachss dedicated the novel Mask Market to Seals' memory.

In 2002, Seals was featured on the Bo Diddley tribute album, Hey Bo Diddley - A Tribute!, performing the song "My Story" (aka "Story of Bo Diddley").

Seals had a number of problems in his life. He survived all but one of his fourteen siblings, and in 1997 he was shot in the jaw by his wife, sustaining injuries which required reconstructive surgery. Also, in 1999 part of his left leg was amputated, due to complications from diabetes. He lost belongings in a fire that destroyed his home while he was away performing live, and several of his prized guitars were stolen from his home. After his health problems Seals used a number of different accompanying bands, such as James Soleberg's, Jimmy Vivino's, and Big Jim Kohler's, while on the road.

The band Phish performed Seals' song "Funky Bitch", and brought him on stage on multiple occasions.

Seals died in 2004, at the age of 62, from complications of diabetes; he was survived by his sister and fourteen children."

Saturday, August 31, 2013

Katie Webster - The Swamp Boogie Queen

Katie Webster (January 11, 1936 – September 5, 1999), born Kathryn Jewel Thorne, was an American boogie-woogie pianist. Webster was initially best known as a session musician behind Louisiana musicians on the Excello and Goldband record labels, such as Lightnin' Slim and Lonesome Sundown.  She also played piano with Otis Redding in the 1960s, but after his death went into semi-retirement.

In the 1980s she was repeatedly booked for European tours and recorded albums for the German record label, Ornament Records. She cut You Know That's Right with the band Hot Links, and the album that established her in the United States; The Swamp Boogie Queen with guest spots by Bonnie Raitt and Robert Cray.  She performed at both the San Francisco Blues Festival and Long Beach Blues Festival.  
Webster suffered a stroke in 1993 while touring Greece and returned to performing the following year.  She died from heart failure in League City, Texas, in September 1999. - Wikipedia

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Lovable Katie Webster had some high-profile help for this impressive comeback album -- Bonnie Raitt shares the vocal on "Somebody's on Your Case" and plays guitar on "On the Run"; Kim Wilson duets with Webster for a cover of Johnnie Taylor's "Who's Making Love" (a track that Robert Cray contributes crisp guitar to). Throughout, Webster's vocals are throatier than they used to be (she soulfully covers one-time mentor Otis Redding's "Fa-Fa-Fa-Fa-Fa [Sad Song]" and "Try a Little Tenderness"), while her driving left hand still lays down some powerhouse boogie rhythms. - 4.0 / 5.0 ~ Bill Dahl / AMG

This was ripped from minty vinyl at 24/44.1 wav, and dithered to 16/44.1 FLAC...  enjoy!!!

Saturday, April 13, 2013

Koko Taylor - The Earthshaker


Born Cora Walton in Shelby County, Tennessee, Taylor was the daughter of a sharecropper.  She left Memphis for Chicago, Illinois in 1952 with her husband, truck driver Robert "Pops" Taylor.  In the late 1950s she began singing in Chicago blues clubs. She was spotted by Willie Dixon in 1962, and this led to wider performances and her first recording contract. In 1965, Taylor was signed by Chess Records subsidiary Checker Records where she recorded "Wang Dang Doodle," a song written by Dixon and recorded by Howlin' Wolf five years earlier. The song became a hit, reaching number four on the R&B charts and number 58 on the pop charts  in 1966, and selling a million copies.  Taylor recorded several versions of "Wang Dang Doodle" over the years, including a live version at the 1967 American Folk Blues Festival with harmonica player Little Walter and guitarist Hound Dog Taylor. Taylor subsequently recorded more material, both original and covers, but never repeated that initial chart success.

National touring in the late 1960s and early 1970s improved her fan base, and she became accessible to a wider record-buying public when she signed with Alligator Records in 1975. She recorded nine albums for Alligator, 8 of which were Grammy-nominated, and came to dominate the female blues singer ranks, winning twenty five W. C. Handy Awards (more than any other artist). After her recovery from a near-fatal car crash in 1989, the 1990s found Taylor in films such as Blues Brothers 2000 and Wild at Heart, and she opened a blues club on Division Street in Chicago in 1994, which relocated to Wabash Ave in Chicago's South Loop in 2000. (The club is now closed.)

Taylor influenced musicians such as Bonnie Raitt, Shemekia Copeland, Janis Joplin, Shannon Curfman, and Susan Tedeschi. In the years prior to her death, she performed over 70 concerts a year and resided just south of Chicago in Country Club Hills, Illinois.

In 2008, the Internal Revenue Service said that Taylor owed $400,000 in back taxes, penalties and interest. Her tax problems concerned 1998, 2000 and 2001; for those years combined, her adjusted gross income was $949,000.

Taylor died on June 3, 2009, after complications from surgery for gastrointestinal bleeding on May 19, 2009.  Her final performance was at the Blues Music Awards, on May 7, 2009.

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Koko Taylor's Alligator encore harbored a number of tunes that still pepper her set list to this day -- the grinding "I'm a Woman" and the party-down specials "Let the Good Times Roll" and "Hey Bartender." Her uncompromising slow blues "Please Don't Dog Me" and a sassy remake of Irma Thomas' "You Can Have My Husband" also stand out, as does the fine backing by guitarists Sammy Lawhorn and Johnny B. Moore, pianist Pinetop Perkins, and saxman Abb Locke. - Bill Dahl/AMG (4.5 / 5.0)



Alligator Records AL4711
1978

Bass – Cornelius "Mule" Boyson;  Drums – Vince Chappelle;  Guitar – Johnny B. Moore, Sammy Lawhorn
Harmonica – Mervyn "Harmonica" Hinds;  Keyboards – Pinetop Perkins;  Saxophone – Abb Locke
Vocals – Koko Taylor

A1 Let The Good Times Roll    3:00
A2 Spoonful    3:00
A3 Walking The Back Streets    6:45
A4 Cut You Loose    3:24
A5 Hey Bartender    2:51
B1 I'm A Woman    4:36
B2 You Can Have My Husband    2:45
B3 Please Don't Dog Me    5:16
B4 Wang Dang Doodle    4:51

A superb album!!!  Ripped from minty vinyl at 24/44.1 wav and dithered to 16/44.1 FLAC... enjoy!!!

Monday, July 2, 2012

Clarence Gatemouth Brown - Pressure Cooker

This album is about as good as it gets.  Gate did a few original sides for Alligator, but this album is actually a reissue of sorts.

As many of you may or may not know, Brown spent alot of time in Europe during the 60's and 70's.  Like so many of his compatriates, he recorded for the great french label Black and Blue.  Infact, his output was quite high recording 5 albums, including the classic Louis Jordan tribute (available at the Crypt).  Alligator decided to select the best of all these albums and package it into one LP.  Good idea?  Hell yeah!!

Gatemouth is in top form here and his bandmates are no less.  Superb rhythm and shredding solos.  Intuitive note selection and chord choices.  All hallmarks of Brown's style.  Vocally he is soulful with great wit and charm.  The tracklist was well chosen.  We get the groovy feel of an organ trio, right on up to the brassy weight of an octet.  The band swing and groove hard through all of it.  Gatemouth is comfortable with a blues as much as he is with swingin.  He combines many different styles and feels which makes for incredible fun with non stop, interesting delivery.

If you're missing this one, don't hesitate to grab it.  Should also make a nice upgrade as this album is mint, and the fidelity superb.  Ripped at 24/44.1 wav and dithered to 16/44.1 FLAC...  Enjoy!!!


Alligator AL4745
1985

Recorded Mar/July/Aug 1973
Barclay Studio, Paris, France and
Condorcet Studio, Toulouse, France
Produced by and licenced from Disque Black and Blue

Clarence Gatemouth Brown - Vocals, Guitar
Milt Buckner, Stan Hunter - Organ
Micheal Silva, Paul Gunther, Chris Columbo - Drums
Jay McShann - Piano
Roland Lobligeois - Bass
Xavier Chambon - Trumpet
Michael Attenoux, Hal Singer, Arnett Cobb - Tenor Sax
Al Grey, Claude Gousset - Trombone

A1 She Winked Her Eye
A2 Slow Down
A3 Just Lippin
A4 My Time Is Expensive
A5 Ain't Nobody Here But Us Chickens
B1 Pressure Cooker
B2 Ain't That Just Like A Woman
B3 Deep, Deep water
B4 Cold Strings