O.V. Wright - The Complete Recorded Works By The Boss Of Southern Soul for Backbeat/ABC, disc 3 - 5

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The weekend is here, and you know how we do at Chitlins!!  Enjoy the final three albums that complete this glorious boxset - all ripped with EAC to FLAC.

O.V. Wright - The Complete Recorded Works By The Boss Of Southern Soul for Backbeat/ABC, disc 2

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I think this may be my favorite disc from this box set.  It was created specifically for inclusion with this set, as a way to capture all of his wonderful Backbeat 45's which never found a home on an LP.  As a result, we get a grouping of really strong songs which have been tracked with alot of thought.

It's probably an unfair comparison, but aside from "Nickel And A Nail..." I don't think any of his LPs really approach this CD in terms of material.  Damn near every song on this disc is a winner, and with O.V.s treatment added to the fray we get a really memorable album.

There's no doubt in my mind that "That's How Strong My Love Is" is probably the greatest soul ballad of all time when sung by O.V. Wright.  Other stand outs for me would be "What Did You Tell This Girl Of Mine", "Henpecked Man" and "Drowning On Dry Land".  Willie Mitchell was the musical force behind the production, so of course it's impeccable.  Probably the most aptly named album of all, "Treasured Moments" is exactly that.  Once again we have a perfect EAC rip to 16/44.1 FLAC.  Don't miss this or the upcoming posts, truly amazing music and sound quality... only at the Crypt.  Taken from the second pressing of the P-Vine boxset released in 2009.  Enjoy!!!

O.V. Wright - The Complete Recorded Works By The Boss Of Southern Soul for Backbeat/ABC, disc 1

by Bill Pollak (Originally published in MusicHound R&B: The Essential Album Guide, Gary Graff, Josh Freedom du Lac, and Jim McFarlin (eds.); Visible Ink Press (Detroit, MI): 1998.)

Born Overton Vertis Wright, October 9, 1939, in Leno, TN. Died November 16, 1980, in Mobile, AL.

"Let's not mince words: O.V. Wright was the greatest deep-soul singer ever. By the time he cut his first secular recording, "That's How Strong My Love Is" for Goldwax Records of Memphis, Tennessee (1964), Wright was already a well-known and successful gospel singer, having sung and recorded with gospel groups such as the Spirit of Memphis Quartet and the Sunset Travelers. Wright is by no means the only artist to abandon the sanctuary of the church in search of the rewards and temptations of the secular world. The pop recordings of Sam Cooke, Al Green, Aretha Franklin, and Johnnie Taylor all make overt or oblique reference to the trauma of this self-imposed exile. But in the work of no other artist, with the possible exception of Green, does this exile play so central a role. Wright's recordings are unmistakably the work of a spiritually troubled man. As if to underscore the gravity of his choice, Wright's secular recordings, more than those of any of his peers, cleave faithfully to the style, structure, and most importantly the feeling and fervor of the deepest and most heartfelt gospel music. The presence of this theme in all of his strongest performances--"You're Gonna Make Me Cry," "Eight Men,

Four Women," "Everybody Knows (The River Song)," "Born All Over," "Heartaches, Heartaches," "Memory Blues"--give them a timeless universality that places them on a par with the hymns of Mahalia Jackson, the blues of Robert Johnson, or the country music of Hank Williams.

There were two distinct periods in Wright's 15-year secular career, delineated by the demise of his first record label, Back Beat, which had been owned and operated by the don of Houston rhythm and blues, Don Robey. Midway in his career, Wright migrated to Hi Records, where his longtime producer Willie Mitchell was the principal talent director. (Somehow he fails to mention that Wright went to prison for narcotics, his label was sold to ABC and Don Robey died so his hold on OV was gone. ABC was not interested in him when he was released from prison so he was a free agent picked up by old friend Willie Mitchell who was now producer and AR guy for Hi Records! Surprising in what is otherwise a nice piece.) Few artists in any medium exhibit so huge a gap between artistic quality and commercial success as O.V. Wright. Wright's two most successful records, "You're Gonna Make Me Cry" and "Eight Men, Four

Women," came early in his career at Back Beat, and neither recording received any airplay outside the circumscribed world of 1960s R&B radio. In fact, R&B radio in the late 1960s, the heyday of southern gospel-inflected soul music, is the only radio format during the years spanned by Wright's career in which it is possible to imagine Wright's chilling statements from the spiritual void finding a home. Wright is an artist whose reputation is destined to grow with the historical perspective afforded by time.

Willie Mitchell's production values and house musicians (the Hi Rhythm Section, among others) were essential elements in the brilliance of Wright's recordings. Mitchell had achieved great commercial and artistic success helping Al Green craft a new kind of Memphis soul music in the 1970s. Undoubtedly motivated by the desire to help Wright achieve more of the success and recognition that he so deserved, Mitchell attempted to adapt this softer, more melodic sound to Wright's recordings during Wright's later period at Hi Records. That this sound was not entirely suited to Wright's unique gifts provides one explanation for the relative superiority of the Back Beat recordings. Another factor is that, by all accounts, the O.V. Wright who recorded for Hi was deteriorating from a drug habit that ultimately claimed his life. A comparison of the photographs from the BackBeat albums and the later Hi albums provides stark evidence of his physical deterioration. He died in an ambulance, en route to the hospital, at the age of 41, consumed by the music that haunted him and the life that went with it."

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I have used KCs original post, but we will be looking at this wondrous boxset again.  This time, we have found a copy of the second edition released from P-Vine.  This included 5 mini LP style albums, of which we will be sharing here with all of you lucky souls!!!  The set itself has gone out of print quickly each time it's been released to market - no surprise there.  At this point, the real beauty of having access to these great tracks is the fact that the box costs 2 - 300 on the grey market!!

P-Vine really did soul fans a solid on this collection, the remastering is incredible, particularily on the older Goldwax 45s.  I have decided to start things off with 8 Men And 4 Women, simply because it's my favorite tune by the man.  It also contains a couple other real zingers like "You're Gonna Make Me Cry", but I think you'll notice something else about this side.  Aside from the few exceptional tracks, alot of the material, at least in my mind, comes across as pretty straightforward.  The tunes are pretty run of the mill, and in anybody else's hands would probably have been dropped to the cutting room floor.  I'm thinking of songs like "Why Don't You Believe Me" and "Can't Find True Love".  O.V. really shows his interpretive skills on this album, and that's what makes it really special in his discography.

The first time this post went up I didn't even know who this legend was - now much like KC, he is my favorite.  I think the best evidence lies in his (the FIRST) cut of "That's How Strong My Love Is".  When compared to Otis, in my mind it's 10 times more the ballad.  O.V. really found the heart of that track.  When I listen to Otis rendition, I find his phrasing really diminishes the feeling as does the rather hokey shuffle beat that sets the tone.  I am not trying to pit Otis against O.V.!!!  But hell this man could out do the so called best of them, so let's shed some light on it.  At this point, I think O.V. Wright is more than just my favorite soul artist, he is possibly the most significant for the genre.  That's a tall order but he was really responsible for tying together the old school with what was to come.  It's a shame he never seemed to get the attention he deserved.

Anyhow gang, this was ripped using EAC and is in 16/44.1 FLAC.  Tremendous!!!  We will be following it up with the rest of the set so keep your eyes peeld on Chitlins in the upcoming weeks.  Nothin but a party y'all!!!