"The thundering 88s of Big Maceo Merriweather
helped pave the way for the great Chicago blues pianists of the 1950s --
men like Johnny Jones, Otis Spann, and Henry Gray. Unfortunately,
Merriweather wouldn't be around to enjoy their innovations -- he died a
few years after suffering a debilitating stroke in 1946. Major
Merriweather was already a seasoned pianist when he arrived in Detroit
in 1924. After working around the Motor City scene, he ventured to
Chicago in 1941 to make his recording debut for producer Lester Melrose
and RCA Victor's Bluebird subsidiary. His first day in the studio
produced 14 tracks -- six of his own and eight more as accompanist to
renowned Chicago guitarist Tampa Red. One of his initial efforts,
"Worried Life Blues," has passed into blues standard status (Chuck Berry
was hip to it, covering it for Chess).
Merriweather remained
Tampa Red's favorite pianistic accompanist after that, gigging
extensively with him and Big Bill Broonzy on Chicago's South Side. The
pianist cut a series of terrific sessions as a leader for Bluebird in
1941-1942 and 1945 (the latter including his tour de force, "Chicago
Breakdown") before the stroke paralyzed his right side. He tried to
overcome it, cutting for Victor in 1947 with Eddie Boyd assuming piano
duties and again for Specialty in 1949 with Johnny Jones at the stool.
His health fading steadily after that, Merriweather died in 1953." Bill
Dahl
"b. Major Meriweather, 31 March 1905, Atlanta, Georgia, USA, d. 26 February 1953, Chicago, Illinois, USA. Big Maceo learned piano while living in a suburb of Atlanta in his early teens. In 1924 he moved to Detroit where he made his name on the local blues scene. In the early 40s, he made a series of classic recordings with the Chicago guitarist Tampa Red. Maceo's piano lends a distinctive toughness and weight to Tampa's records, while the guitarist complements the other's superb sides with his supple and beautifully expressive slide lines. Maceo's "Worried Life" was a big hit, and has become one of the most covered of all blues songs, while most of the other tracks he recorded for the Bluebird/Victor company are of equal quality. These ranged from the plaintive "Poor Kelly Blues" to powerful instrumental pieces such as "Chicago Breakdown". After a stroke in 1946, his later records failed to recapture the glories of his earlier work." Rovi
