Showing posts with label The Staple Singers. Show all posts
Showing posts with label The Staple Singers. Show all posts

Sunday, June 12, 2016

Staple Singers - Amen! & Why

The Epic releases were not particularly well represented in the previously offered Staples box so only a few of these songs have been previously offered in our Sunday services. Yet another lovely gift from the Elder Clifford.

The Staple Singers straddled the Sacred and Secular worlds like no group before or since. The enormously influential guitar stylings of Roebuck “Pops” Staples, the 'deep beyond her years' vocals of Mavis Staples, and the exalted harmonies of Pervis and Cleotha Staples created a singular sound that somehow managed to be earthy and soaring at the same time.

1965’s Amen! and 1966’s Why were their second and third albums and the first pair of studio recordings for the Epic Label. Both were produced by Nashville Legend Billy Sherrill. Includes the hit “Why (Am I Treated So Bad)".

Liner Notes by Gene Sculatti, Remastered by Mike Piacentini at Battery Studios in NewYork

CD Debuts for Both Albums



Sunday, February 7, 2016

The Staple Singers - Faith & Grace (A Family Journey 1953-1976)

We have a three part Sunday service today, I'm making up for my missing a few Sundays lately - all 3 parts are fantastic so be sure to check them all.

First up: An amazing contribution from Unky Cliff, on this Sunday morning Deacon Clifford. This amazing set covers the period listed on the cover in it's entirety - for many of you this will mean you can dispense with some of your bits and pieces. Included is even a 45 recreation of their very first recording on a tiny independent label.

"The Staple Singers were an American gospel, soul and R&B singing group. Roebuck "Pops" Staples (1914–2000), the patriarch of the family, formed the group with his children Cleotha (1934–2013), Pervis (b. 1935), and Mavis (b. 1939). Yvonne (b. 1936) replaced her brother when he was drafted into the U.S. Army, and again in 1970. They are best known for their 1970s hits "Respect Yourself", "I'll Take You There", "If You're Ready (Come Go with Me)", and "Let's Do It Again", which with one exception ("I'll Take You There") peaked on the Hot 100 within a week from Christmas Day.

While the family surname is "Staples", the group used the singular form for its name, "The Staple Singers".

Roebuck moved from Mississippi to Chicago after his marriage, and worked in steel mills and meat packing plants while his family of four children grew up. The family began appearing in Chicago-area churches in 1948. Their first public singing appearance was at the Mount Zion Church, Chicago, where Roebuck's brother, the Rev. Chester Staples, was pastor. They signed their first professional contract in 1952. During their early career they recorded in an acoustic gospel-folk style with various labels: United Records, Vee-Jay Records (their "Uncloudy Day" and "Will The Circle Be Unbroken" were best sellers), Checker Records, Riverside Records, and then Epic Records in 1965. "Uncloudy Day" was an early influence on Bob Dylan, who said of it in 2015, "It was the most mysterious thing I'd ever heard... I'd think about them even at my school desk...Mavis looked to be about the same age as me in her picture (on the cover of "Uncloudy Day")...Her singing just knocked me out...And Mavis was a great singer - deep and mysterious. And even at the young age, I felt that life itself was a mystery"

It was on Epic that the Staple Singers developed a style more accessible to mainstream audiences, with "Why (Am I Treated So Bad)" and "For What It's Worth" (Stephen Stills) in 1967. In 1968, the Staple Singers signed to Stax Records and released two albums with Steve Cropper — Soul Folk in Action and We'll Get Over, Pervis returning for these. After Steve Cropper left Stax, Al Bell produced their recordings, conducting the rhythm sessions at the famed Muscle Shoals Sound Studio and cutting the overdubs himself at Memphis' Ardent Studios, moving in a more funk and soul direction.

The first Stax hit was "Heavy Makes You Happy (Sha-Na-Boom-Boom)" in early 1971. Their late 1971 recording of "Respect Yourself", written by Luther Ingram and Mack Rice, peaked at No. 2 on the Billboard R&B chart and No. 12 on the Billboard Hot 100. Both sold over one million copies, and were each awarded a gold disc by the RIAA. The song's theme of self-empowerment had universal appeal, released in the period immediately following the intense American civil rights movement of the 1960s. In 1972 "I'll Take You There" topped both Billboard charts. In 1973 "If You're Ready (Come Go With Me)" reached No. 9 on the Hot 100 and No. 1 on the R&B chart.

After Stax's 1975 bankruptcy, the foursome signed to Curtis Mayfield's label, Curtom Records, and released "Let's Do It Again", produced by Mayfield; the song became their second No. 1 pop hit in the US and the album was also successful. In 1976 they collaborated with The Band for their film The Last Waltz, performing on the song "The Weight" (which The Staple Singers had previously covered on their first Stax album). However, they were not able to regain their momentum, releasing only occasional minor hits. Their 1984 album Turning Point featured their final Top 40 hit, a cover of Talking Heads' "Slippery People" (which also reached the Top 5 on the Dance chart). In 1994, they again performed the song "The Weight" with Country music artist Marty Stuart for MCA Nashville's Rhythm, Country and Blues compilation, somewhat re-establishing an audience. The song "Respect Yourself" was used by Spike Lee in the soundtrack to his movie Crooklyn, made in 1994.

In 1999, the group was inducted into the Rock and Roll Hall of Fame. Pops Staples died of complications from a concussion suffered in December 2000. In 2005, the group was awarded the Grammy Lifetime Achievement Award. Mavis Staples has continued to carry on the family tradition and continues to add her vocal talents to both the projects of other artists and her own solo ventures. Cleotha Staples died in Chicago on February 21, 2013, after suffering from Alzheimer's disease for over a decade." wiki

Sunday, May 19, 2013

Staple Singers - The Best Of The Vee-Jay Years

Sorry to be so late to church today, had some internet issues. It is difficult to wrap your mind around the fact that Mavis is a little girl here; she sounds like a 200 pound adult.

"Since the Staple Singers are best known for their hits as a secular soul act on Stax in the late '60s and the 1970s, general fans should be advised that The Best of the Vee-Jay Years includes only gospel material, released for Vee-Jay (in 1956-1961) long before they moved to Stax. If you're aware of this and are simply looking for a good single-disc overview of their early years on disc, however, this fills that bill well. Their two most well-known songs from this period, "Uncloudy Day" and "This May Be the Last Time" (speculated as a possible source for the Rolling Stones' "The Last Time"), open and close the 17-track CD, respectively. Between those cuts are both Pops Staples originals and covers of traditional tunes like "Swing Down Chariot" and "Will the Circle Be Unbroken." It's been said before, but it can be said here again: these are among the most accessible gospel recordings for rock-oriented listeners, owing to Pops Staples' distinctive tremolo-heavy electric guitar, the frequent use of light rhythmic drums, and the obvious connections to the soul music the Staples would make in their later incarnation. It's not necessarily going to be to the taste of every Staple Singers fan who loves them for their soul recordings, but it's first-rate, well-harmonized gospel with obvious links to the R&B and soul idioms."

Sunday, September 9, 2012

The Staple Singers - Freedom Highway

As promised, here is another classic Staples side to help prepare your soul for eternity.  Personally, I find this album comparable in every way to the last post of Circle. 

At several points the group find that incredible vibe which puts the listener into another head space.  Pops guitar is wildly unique in its simplicity and eerieness.

I hope you guys will follow along and grab these Staple albums if you don't have them.  Once I have you properly schooled in their roots, we'll dabble in their secular material.  I will predict that some of you won't even want to bother with it.  While its soulful in its own right, it doesn't even approach their gospel.


Originally released on Epic in 1965 as a live in-church session, Legacy's 1991 reissue of Freedom Highway includes two of the original LP tracks supplemented by some truly spirited late-'60s Epic recordings. Despite the glaring omissions, Freedom Highway never feels like a hastily thrown-together compilation. Instead, it follows an arc that deftly mirrors the religious, political, and social fervor of the '60s as filtered through the warm vibrato of Pops Staples' amplifier and the golden throats of his brood. Gospel standards like "Will the Circle Be Unbroken" and "Wade in the Water" benefit from the full band arrangements, giving them a swift kick of rock & roll that would eventually morph into the soul-funk sound of their popular '70s period. Pops, inspired by his meeting with Martin Luther King, Jr., contributes the wickedly infectious title cut -- one of the two live tracks from the original -- and the incendiary "Why Am I Treated So Bad," a bluesy lament inspired by the hardships of the "Little Rock 9." As always, the vocals and harmonies are nothing short of astounding, most notably on the Mavis Staples-led "Move Along Train" -- never has gospel sounded so sexy. Each song bristles with emotion and resonates deeper with every repeated listen, resulting in an experience that transcends scripture while remaining true to its alternately redemptive and fiery foundations. Freedom Highway captures a family approaching the cusp of catharsis, and its charms lie in the world-weary delivery of its message. Their devotion has been tested and their hands have been bloodied, but their faith has grown into an endless garden because of it, and by the time they reach the spookiest version of "This Train" ever put to tape, listeners will no doubt feel as empowered as the stoic passengers themselves.  - James Christopher Monger/AMG

Columbia 6033
1965

Sunday, September 2, 2012

The Staple Singers - Will The Circle Be Unbroken

Well I'm sure for most of you, your souls have been saved for today.  I had my gospel stuff ready to post, but after working all night, lacked the jam to post this morning.

In any event, here's the first of many from one of my personal faves, The Staple Singers.  This album actually enjoyed some commercial success outside of the gospel circuit.

That was the appeal the Staples brought to their music, it crossed so many boundaries and found fans in "unlikely" places.  Pops eerie and stripped down guitar sound caught the ear of many a rocker.  Singers from all genres flocked to hear Mavis belt out.


For me, their music had a real foreboding - an almost ominous vibe that was part solemn and part joy.  When one considers the times, it makes sense, and although their musical themes deal with the Lord, it's certain that the political landscape of the day would influence their style.

I'm sure many of you have this little gem already, but for any newbies - get ready!  The album includes live recordings which are fantastic.  As I mentioned I will be bringing you guys the best from their gospel days.  Enjoy!!!

Vee Jay LP 5008
1969