The Chess Story 1947 - 1975: Part 3 1965 - 1975 (Discs 11 - 13)

Well... this concludes The Chess Story.  I find the latter years to be the weakest in terms of quality.  Clearly compromises were made in pursuit of making money.  Combined with changes in ownership, we are left with really dated and unimportant music.  Still, there are some worthy tunes and overall it's a decent listen.  I guess the point is that, even the worst Chess offerings were better than alot of the music being released during that time.

I have gone through the previous posts and reloaded all of the links.  I hope this will benefit anybody who missed any.  There's a 14th disc featuring interviews with Phil and Marshall Chess, if there's interest I can post it as well... enjoy!!!

The Chess Story 1947 - 1975: Part 2 1957 - 1964 (Discs 8 - 10)

More from the heyday of Chess and the last installment of Part 2...  enjoy!!!

The Chess Story 1947 - 1975: Part 2 1957 - 1964 (Discs 6 & 7)

Hey Gang!!  Sorry about the large delay with this series.  I suppose I have lost some of you but I assure you, I will keep things movin on this one.

We have reached part 2 of the box, and discs 6 & 7 are really representative of the Chess heyday.  Now the label is firmly established and has found its way.  This means they are pumpin out the hits from their now famous roster.

As far as who's who, the list is much like the last couple of discs we heard.  These artists had much to say and the recordings flowed like wine.  I will give you guys some time to absorb these before unleashing the next batch... enjoy!!!

Clifton Chenier - King Of The Bayous

Another cooker in Chitlins' look at some classic Chenier sides.  Enjoy!!

After gaining initial notoriety in the '50s and '60s on Specialty Records and a variety of small Texas and Louisiana labels, Zydeco King Clifton Chenier brought the blues-fueled Cajun music he practically invented to Chris Strachwitz's roots label Arhoolie, subsequently recording a series of fine albums including 1970's King of the Bayous. Featuring brother and longtime partner Cleveland Chenier on rubboard, Robert St. Judy on drums, Joe Morris on bass and Antoine Victor on guitar, King of the Bayous includes Chenier's standard blend of zydeco two-step, waltzes and blues, and provides an excellent taste of what the band no doubt played on countless one-niters along the Louisiana-Texas Gulf Coast. Zydeco-brand blues predominates with Chenier originals "Hard to Love Someone," "Who Can Your Good Man Be" and "I Am Coming Home," in addition to a cover of the honky-tonk weeper "Release Me." Offering a contrast to the blues and something for the dancers, the band lays down a lively two-step beat on "Tu Le Ton Son Ton," "Josephine Par Se Ma Femme" and "Zodico Two Step." Throughout the varied set, Chenier's irrepressible vocals and accordion playing stand out. A nice sample of bayou zydeco by one of its finest and most original practitioners. Stephen Cook/AMG

Clifton Chenier (vocals, accordion); Antoine Victor, Cleveland Keyes (guitar); Elmore Nixon (piano); Robert St. Julien, Robert Peter (drums); Cleveland Chenier (rub-board).
Arhoolie LP 1052
1970
Recorded in Houston TX

Clifton Chenier - Black Snake Blues

Another superb offering from the Chenier brothers.  Although the star feature here is King Clifton, his brother Cleveland really shines on this.

I'm not sure about the timeline, but at some point Cleveland Chenier had the traditional rubber/washboard reworked to his specs and into the creation you see in the cover photo.  Brother Cleveland works some rhythmic magic with his trusty frottoir and at most points, is prevelant in the mix.  Johnny Can't Dance would have to be the highlight for Cleveland's talents.

As great as the rhythms are on BSB's, Clifton manages to steal the spotlight.  I think his talents are best heard on the tune Wrap It Up, where he busts out a solo that's equal parts solid rhythm and improvisation.  Incredible.  Of course his searching, yearning voice can be heard all over this one - with plenty of ha!s and huh!s thrown in for funky measure.

Enjoy this one mes amis!!!  Chitlins style...

Arhoolie 1038
1967

Clifton Chenier - v / acc;  Cleveland Chenier - frottoir;  Robert St. Judy - d;  Felix James Benoit -g;
Joe Morris - b.

Clifton Chenier - Louisiana Blues And Zydeco

Another drop dead classic from the only King you're gonna hear around these parts.  Get yuh boogie on!!

Arhoolie Records 9053
1965

Clifton Chenier (vocals, accordion); Cleveland Keyes, Felix Benoit (guitar); Elmore Nixon (piano); Fulton Antoine, Joe Morris (bass); Bob Murphy, Madison Guidry, Robert St. Judy (drums); Cleveland Chenier (rubboard).

Recording information:
Bill Quinn's Gold Star Studio, Houston, TX (05/11/1965);
Gold Star Recording Studios, Houston, TX (05/11/1965);
Sierra Sound Laboratories, Berkeley, CA (05/11/1965).

This was the first full album by a zydeco artist to be released by Arhoolie. It became something of an advance scout as the Cajun accordion army began to spread its music outside of the Louisiana bayous, with Clifton Chenier winding up with a Grammy for his efforts, as well as performances all over the world. This album puts together a few different instrumental lineups for recording at Houston's Gold Star studios, a facility with an important place in Texas blues history. Nonetheless recording sound is a tad thin, as perhaps the engineers were frightened by some of the manic moves of a few of the instrumentalists. Although this style of music is known mostly for the accordion and rubboard antics as featured on the second side, the tracks on the first side also include some ferocious piano and electric guitar playing. Some tracks just really cook and should put any listener in a good mood. The instrumental "Hot Rod" has a great drum part and accordion improvising that sounds totally relaxed, followed by an under-recorded but nasty-sounding guitar solo. Too bad it fades out so quickly. Altogether, lots of variety, plenty of creative musical ideas, and some deeply soulful singing delivered by this great zydeco artist just as his career was starting to lift off.  - Eugene Chadbourne/AMG

Clifton Chenier - Bayou Blues

Clifton Chenier (June 25, 1925 - December 12, 1987), a Creole French-speaking native of Opelousas, Louisiana, was an eminent performer and recording artist of Zydeco, which arose from Cajun and Creole music, with R&B, jazz, and blues influences. He played the accordion and won a Grammy Award in 1983.  He also was recognized with a National Heritage Fellowship, and in 1989 was inducted posthumously into the Blues Hall of Fame.  He was known as the 'King of Zydeco'.



Chenier began his recording career in 1954, when he signed with Elko Records and released Clifton's Blues, a regional success. His first hit record was soon followed by "Ay 'Tite Fille (Hey, Little Girl)" (a cover of Professor Longhair's song).  This received some mainstream success. With the Zydeco Ramblers, Chenier toured extensively. He also toured in the early days with Clarence Garlow, billed as the 'Two Crazy Frenchmen'.  Chenier was signed with Chess Records in Chicago, followed by the Arhoolie label.

In April 1966, Chenier appeared at the Berkeley Blues Festival on the University of California campus and was subsequently described by Ralph J. Gleason, Jazz critic of the San Francisco Chronicle, as "... one of the most surprising musicians I have heard in some time, with a marvelously moving style of playing the accordion .. blues accordion, that's right, blues accordion."

Chenier was the first act to play at Antone's, a blues club on Sixth Street in Austin, Texas. Later in 1976, he reached a national audience when he appeared on the premiere season of the PBS music program Austin City Limits. Three years later in 1979 he returned to the show with his Red Hot Louisiana Band.

Chenier's popularity peaked in the 1980s, and he was recognized with a Grammy Award in 1983 for his album I'm Here.  It was the first Grammy for his new label Alligator Records. Chenier followed Queen Ida as the second Louisiana Creole to win a Grammy.

Chenier is credited with redesigning the wood and crimped tin washboard into the frottoir, an instrument that would easily hang from the shoulders. Cleveland Chenier, Clifton's older brother, also played in the Red Hot Louisiana Band. He found popularity for his ability to manipulate the distinctive sound of the frottoir by rubbing several bottle openers (held in each hand) along its ridges.

During their prime, Chenier and his band traveled throughout the world.

___________________________________________________________

Bayou Blues compiles a selection of 12 tracks Clifton Chenier cut for Specialty Records in 1955, including the original versions of "Boppin' the Rock," "Eh, Petite Fille," "I'm On My Way" and "Zodico Stomp." It may not be a definitive retrospective, but it's an entertaining and necessary sampler of Chenier at the beginning of his career.  - Thom Owens/AMG

Here is where the Chenier legend began. This disc contains the 12 Bumps Blackwell-produced tracks Clifton cut in 1955 in Los Angeles for Specialty Records. On tracks like "The Cat's Dreamin'" or his first hit single, "Ay 'Tète Fey" ( which is the Cajun-French form of its better-known title, "Eh, Petite Fille" meaning "Hey, Little Girl" ), Chenier's amalgam of blues, R&B, and rock & roll mixed with traditional French dance tunes is still rough but already has the power and drive that he (and his accordion) would later hone to a fine edge. Instrumental greats and mainstays of Chenier's early road bands like tenor saxman Lionel Prevost and guitarist Lonesome Sundown add their considerable talents to these sessions. The starting point for any comprehensive Chenier collection. ~ Robert Baird