Showing posts with label Houston Blues. Show all posts
Showing posts with label Houston Blues. Show all posts

Sunday, December 1, 2013

Diunna Greenleaf - Crazy But Live in Houston

Well, what do you know?   My Nigerian server was showing unusual speed this morning.  So I tried to upload one of the albums to Zippyshare that I have been trying to post recently...finally with success!

Given the level of enthusiasm about Marva Wright here at Chitlins, I had the idea for a series of posts on other powerhouse blues divas who are still with us and active.   I would like to start with Diunna Greenleaf,  an amazingly powerful singer from Houston, Texas.

Diunna Greenleaf is still in her 40s, making her somewhat of a youngster among old school blues/soul singers.  As you will hear, however, Ms. Greenleaf embodies blues/gospel sensibilities that would make you think that she is from an older generation.   She is also a scholar of the blues who is acutely aware of the history of the music.  She even served for a while as the President of the Houston Blues Society.  

I heard Diunna for the first time live a few years ago.  I was blown away and amazed that I could have been unaware of her up until that time.   I bought this self-produced and released CD from her at the concert.  At that time, it was still her only recording.  She has since released two other records.  I would say that none of her recordings yet capture just how good Diunna can be live.  In fact, there are a few posts from her concerts on Youtube that may be the definitive record of her art so far.  But this is nevertheless an excellent recording, and, in my opinion, still far and away her best record.    It is also the most difficult of her records to track down.   So it certainly deserves a post here. 
Diunna has a very good band, Blue Mercy, that features Albert King Award winning guitarist John Richardson.  Richardson fills out this record with a barrage of tasteful licks.   As opposed to Diunna's studio recordings, there are few original compositions on this album.  But there are some complete re-workings of blues/soul classics that are as every bit as refreshing as would be good original songs.  Together with a few blues chestnuts are some songs not commonly covered on the Circuit.  I guarantee you that this is the bluesiest version of Sly Stone's If you Want Me to Stay that you will ever hear. 

All in all, this is quite a satisfying record.   Most importantly, make sure not to miss Diunna when she comes to your town.  Her live shows can be nothing less than transcendent.  This album only hints at what she is capable of.  The best on wax is yet to come.