Showing posts with label Little Walter. Show all posts
Showing posts with label Little Walter. Show all posts

Friday, February 6, 2015

Muddy Waters - With Little Walter: 1950-1952

When most people think about the legacy of Muddy Waters, the first songs that come to mind are probably those macho Willie Dixon-produced shouts from the mid-1950s: Hoochie Coochie Man, Mannish Boy, I'm Ready, I Just Want to Make Love to You, Got My Mojo Working, etc.   But as far as I am concerned, the pinnacle of Muddy Waters' recorded output unquestionably lies here, in the records that he made with Little Walter in the early 50s before Willie Dixon entered the picture.  This is Muddy Waters playing his own music his own way in a manner that helped mold the evolution of Chicago and Mississippi blues in the 1950s and beyond.   It just doesn't get any better than this.  If I could only own one blues collection, I would choose this one.   I can't begin to describe here how much satisfaction and inspiration these recordings have given me over so many years.

I took these recordings from two sources:  The first 22 tracks come from the 2-CD set, The Anniversary Collection, released on Chess (MCA) in 2000.  The final 3 tracks come from the Hip-O-Select collection "Hoochie Coochie Man."  Together they present all of Muddy Water's recordings from June, 1950 to the end of1952.   The first session here marks the time when Leonard Chess finally honored Muddy's wish to allow him to record with Little Walter, and the result marked a milestone in recorded blues history.  (Parkway records had already recorded the two together in 1951, but Muddy Waters was essentially confined to guitar accompaniments for contractual reasons.)  Little Walter is co-featured on almost all of these tracks, although many believe that it is actually a teenage Junior Wells who takes care of the mean harp work on the last four tracks.  Jimmy Rogers is also present on many songs in this collection.

There are no weak tracks here (IMO), and the number of masterpieces is mind boggling:  Long Distance Call, Honey Bee, Louisiana Blues, She Moves Me, Still a Fool, Too Young to Know, Standing Around Crying, Iodine in My Coffee to name a handful.   I will stop here at the risk of sounding too fanatical.  When it comes to Muddy Waters, I am indeed a fanatic, and these recordings are IT for me.     



Saturday, February 22, 2014

Little Walter - Walter's Blues

This recently released remastered version sounds better than anything that I've heard previously. The disc has 25 cream of the crop Chess tracks; the best you will get in a single disc.

"Marion "Little Walter" Jacobs is widely considered the greatest blues harmonica player ever. A Creole who could speak French, he was born in Marksville, Louisiana in 1930. He took up the harmonica as a child, at first playing polkas and waltzes, and by the time he was 12 he was on his own, working the sidewalks and bars of New Orleans with his instrument. He had also discovered the music of John Lee Williamson, and modeled his early blues style on that of Williamson’s.

When he was fourteen he drifted to Helena, Arkansas, and came under the influence of Rice Miller, who along with Walter Horton, gave him pointers on the harp. The following year, Little Walter’s evolution beyond traditional folk-blues began when he started to listen to the records of jump saxophonist Louis Jordan and learn his solos note for note on harmonica.

In 1947 he arrived in Chicago with Honeyboy Edwards, and became a part of the fabled Maxwell Street scene that at one time or another included almost every postwar Chicago blues luminary. He first recorded that year behind singer Othum Brown on the Ora Nelle label, and also began playing in a trio with Jimmy Rogers and Muddy Waters, whom he had met on Maxwell Street. It was the core of what was to be the world’s most celebrated blues band.

Little Walter began recording in 1950 with Muddy, first on the Parkway label, and then for Chess, the label he was to stay with for the rest of his short life. With Waters’s "Long Distance Call," Walter became the first to record amplified harmonica. Muddy’s records did well, but despite his musical success, Jacobs had serious problems. He was prone to heavy drinking, and got into fights. "He was hellacious when he drank," Lazy Lester Johnson once told me, "and he liked the bottle." The only one who could control him, it seemed, was Muddy.

On May 12, 1952, Little Walter recorded an instrumental under his own name that the Muddy Waters band had been using to close sets with. "Juke," with its fat, amplified tone and sax-like phrases, was released under Little Walter’s own name and became a huge hit. Following its success, he left Waters’ band to form his own group, but continued to record with Muddy. From then on, either under his own name or Muddy’s, he recorded a string of sides that has been the envy of every blues harp player since. But all that changed when rock ‘n roll came along in the mid-1950s. Sales of blues records dropped and Little Walter was bitter about it.

In 1964 he toured Europe with the Rolling Stones, but substance abuse and his hot temper still plagued him. "Little Walter was dead ten years before he died," Muddy Waters told Patrick Day, gesturing to indicate drinking and then shooting dope. At gigs, as well as offstage, he would sometimes wave a pistol or two around, and had trouble keeping a band together. Photos taken towards the end of his life show a scarred, haggard man looking closer to 55 than 35.
On February 14th, 1968, Walter Jacobs died of injuries sustained in a Chicago street fight. He was only 37 years old." Glenn Weiser

Saturday, July 14, 2012

The Best Of Little Walter

This is a blues classic by one of the most legendary harp players, Little Walter.  Unlike the suggestion that the title makes, this was his first album.

Generally when we see "Best Of", we are led to think that a few albums have come before.  In this case, the Checker label had signed him and decided to go with the title.  The album was infact a compilation of songs which Walter had recorded as singles.  Shortly after the album's release, Chess bought the contract and decided to keep the album intact, even using the same call number in their catalogue.

Walter has an extremely soulful style and is technically proficient to boot.  My favorite tracks are Juke and Mean Old World  There's no doubt that this is one of the greatest harmonica albums ever put on wax, if not one of the greatest blues/r&b sides.  If you haven't heard this, you better skip to it and thank poppachubby later!!  A stone cold classic... enjoy!!

Chess Masters CH-9192
1986

Originally released on Checker LP-1428, 1958
Re-issued on Chess LP-1428 1958

A
1. "My Babe" (Willie Dixon) 2:44
2. "Sad Hours"   3:15
3. "You're So Fine"   3:07
4. "Last Night"   2:46
5. "Blues with a Feeling"   3:10
6. "Can't Hold Out Much Longer"   3:03

B
1. "Juke"   2:47
2. "Mean Old World"   2:57
3. "Off the Wall"   2:52
4. "You Better Watch Yourself"   3:04
5. "Blue Lights"   3:14
6. "Tell Me Mamma"   2:47

Little Walter – lead vocals, harmonica
Muddy Waters – guitar on "Juke" and "Can't Hold Out Much Longer"
Jimmy Rogers – guitar on "Juke" and "Can't Hold Out Much Longer"
David Myers – guitar
Louis Myers – guitar
Leonard Caston – guitar on "My Babe"
Robert Lockwood, Jr. – guitar on "My Babe"
Willie Dixon – bass, producer
Elgin Evans – drums on "Juke" and "Can't Hold Out Much Longer"
Fred Below – drums

Recorded in Chicago