"...Formed in Dallas in 1970 by Gean West and his brother Tommy, The
Relatives cut three genre-bending singles during their decade-long run
that were too freaky for the church and too righteous for R&B radio.
Though pioneers of an utterly singular sound, the Relatives never made a
splash outside of Dallas and have remained virtually unknown even among
serious record collectors.
The Relatives first single, “Walking On,” was released on
Shreveport’s Lewis records in 1971. Propelled by a relentless bass line
and a fuzzy effects-laden guitar, the track sounds like the Mighty
Clouds of Joy on acid. Talk about a higher calling.
The poignant flipside, “Speak to Me,” finds the group in the
well-worn shoes of a black Vietnam War veteran, asking God to explain
the racial injustices of America. “Back in that time it was tough for a
young black,” West says. “We knew friends that had went into the service
and gotten out and couldn’t get a job, couldn’t borrow much over a
hundred dollars. They went and fought, got cut up, got broke up. That’s
why we asked if a black man would go fight for his country what good
would that do him when he came back home.”
If “Speak to Me” asks the man upstairs for answers, “Don’t Let Me
Fall,” the Relatives’ second single from 1971 on Hosanna records,
desperately pleads for his help. The crushing ballad is sprinkled with
the weeping notes of guitarist Charles Ray Mitchell as West begs, “Here I
am Lord, don’t let me fall.” An emotional hurricane, the song evokes
faith as the only source of light during life’s darkest depths. The slow
build crescendos with a lyrical gut-punch: “Life is a cancer as big as
the world…don’t let me fall!”
“Don’t let me fall, I’ve been as far as I can go,” West explains of
the song. “Man’s extreme is God’s opportunity. I can’t go no further.
I’m at a crossroads. I don’t know whether to go right, left, backwards
or forwards. All I can do is put my trust in you. I got enough faith in
you to know that whatever you do, that’s gonna be the thing to do. So
here I am. Don’t let me fall.”
The B-side mixes holy and secular sounds like few songs ever have.
“Let’s Rap” kick-starts with a strutting James Brown-styled jungle
groove before marching straight to church, then sneaking out the back
door again on the way to the juke joint. If there were a funkier song
about Jesus, angels would be doing the boogaloo in heaven...."
Showing posts with label The Relatives. Show all posts
Showing posts with label The Relatives. Show all posts
Sunday, November 2, 2014
Sunday, December 22, 2013
The Relatives - The Electric Word (2013)
As this posts I am actually on my way to the airport and yet here is your second to last Gospel morning for 2013. Enjoy your holidays dear brothers and sisters." Are you ready for the resurrection? In the 1970s the West brothers of Dallas formed the Relatives, a Staple Singers-style gospel-funk group who enjoyed modest success before their 1980 dissolution. The few singles they cut became cult items and led to their reformation and this surprising album. Produced by Spoon's Jim Eno, its 37 minutes crackle with conviction, mixing gospel vocals with tough funk rhythms and psych-rock guitar. Bad Trip and Let Your Light Shine recall Ball of Confusion-era Temptations, while the slow Speak to Me (What's Wrong With America?) still resonates after 40 years' hibernation. A welcome time warp."
Parliment Funkadelic meets The Soul Stirrers!
