Maxine Brown - If I Knew Then What I know Now

Maxine Ella Brown (born August 18, 1939)

"Maxine Brown began singing as a child, performing with two New York based gospel groups called the Angelairs and the Royaltones when she was a teenager. In 1960, she signed with the small Nomar record label, who released the deep soul ballad "All in My Mind" (which was written by Maxine) late in the year. The single became a hit, climbing to number two on the US R&B charts (number 19 pop), and it was quickly followed by "Funny", which peaked at number three.

Brown was poised to become a star and she moved to the bigger ABC-Paramount in 1962, but left the label after an unsuccessful year and recording several non-chart singles for the label, and signed to the New York-based uptown soul label, Wand Records, a Scepter Records subsidiary, in 1963.

Brown recorded a string of sizable hits for Wand over the next three years. Among these were the Carole King/Gerry Goffin songs "Oh No Not My Baby", which reached number 24 on the pop charts in 1964, and "It's Gonna Be Alright", which peaked at #26 the following year. She also recorded duets with label-mate Chuck Jackson, including a reworked version of an Alvin Robinson hit, "Something You Got", which climbed to #10 on the R&B chart. However, the company turned its focus to other bigger-selling acts, especially Dionne Warwick.

All backing vocals for Maxine's records were performed by Cissy Houston and the Sweet Inspirations (the same group that backed Elvis Presley), plus emerging writer-producers Nick Ashford and Valerie Simpson. Hoping to increase the line of hits for Maxine and her singing partner, Chuck Jackson, Ashford and Simpson took their song catalog to Scepter Records looking for a deal. When they were turned down, the couple approached Berry Gordy at Motown Records who immediately hired them. Songs that were penned for Maxine and Chuck became blockbuster hits for Ray Charles, such as "Let's Go Get Stoned" (co-written by Jo Armstead), as well as Marvin Gaye and Tammi Terrell's "Ain't No Mountain High Enough".

In 1969 Maxine left Wand for Commonwealth United, where she recorded two singles, the first "We'll Cry Together" reached #10 in the Billboard R&B chart and also made the lower reaches of the Hot 100. A spell with Avco Records followed, but her later recordings generally met with little commercial success. Despite her seeming lack of visibility, Brown is acknowledged as one of the finer R&B vocalist of her time, able to handle soul, jazz, and pop with equal aplomb." wiki

Donnie Elbert - Hear My Plea & Donnie Elbert Sings

Donnie Elbert (May 25, 1936 – January 26, 1989) was an American soul singer, who had a prolific career from the mid-1950s to the late 1970s. His US hits included "Where Did Our Love Go?" (1972), and his reputation as a Northern soul artist in the UK was secured by "A Little Piece of Leather", a performance highlighting his powerful falsetto voice.

Elbert was born in New Orleans, Louisiana, but when aged three his family relocated to Buffalo, New York. He learned to play guitar and piano as a child, and in 1955 formed a doo-wop group, the Vibraharps, with friend Danny Cannon. Elbert acted as the group's guitarist, songwriter, arranger, and background vocalist, making his recording debut on their single "Walk Beside Me". He left the group in 1957 for a solo career, and recorded a demonstration record that earned him a recording contract with the King label's DeLuxe subsidiary. His solo debut "What Can I Do?" reached #12 in the U.S. R&B chart, and he followed it up with the less successful "Believe It or Not" and "Have I Sinned?", which became a regional hit in Pittsburgh.

He continued to release singles on DeLuxe, but with little commercial success, and also played New York's Apollo Theater and toured the chitlin' circuit of African-American owned nightclubs. After completing an album, The Sensational Donnie Elbert Sings, he left DeLuxe in 1959, joining first Red Top Records, where in 1960 he recorded "Someday (You'll Want Me to Want You)", and then Vee-Jay Records, where he had another regional hit with "Will You Ever Be Mine?," which reportedly sold 250,000 copies in the Philadelphia area but failed to take off nationwide. His career was also interrupted by a spell in the US Army, from which he was discharged in 1961. He then recorded singles for several labels, including Parkway, Cub and Checker, but with little success. However, although the 1965 Gateway label release of "A Little Piece of Leather" failed to chart in the US, the record became a #27 pop hit when released on the London label in the UK several years later in 1972, and remains a Northern soul favorite.

Elbert relocated to the UK in 1966, where he married. There, he recorded "In Between The Heartaches" for the Polydor label in 1968, a cover version of The Supremes' hit "Where Did Our Love Go?". and an album of Otis Redding cover versions, Tribute To A King. His 1969 Deram release "Without You" had a rocksteady rhythm, and went to the top of the Jamaican charts. He returned to the US the same year, and had his first US chart hit in over a decade with the Rare Bullet label release "Can't Get Over Losing You," which reached #26 on the Billboard R&B chart. Following the success of that record, "Where Did Our Love Go?" was released on the All Platinum label, and became his biggest hit, reaching #15 on the US pop charts, #6 on the R&B charts, and (in 1972) #8 in the UK. Its follow-up "Sweet Baby" reached #30 on the R&B chart in early 1972.

Elbert then signed with Avco-Embassy, where he entered the recording studio with the successful production team of Hugo & Luigi. Although his cover of The Four Tops' "I Can't Help Myself" reached #14 on the R&B chart, Elbert balked at the label's insistence that he record material associated with Motown. He returned to All Platinum and had a run of minor R&B hits, but left after he claimed authorship of Shirley & Company's R&B chart-topper "Shame Shame Shame" which was credited to label owner Sylvia Robinson. For 1975's "You Keep Me Crying (With Your Lying)," Elbert finally formed his own label, and "I Got to Get Myself Together," appeared on an imprint bearing his surname, but it was among his final recordings.

By the mid-1980s Elbert had retired from performing, and became director of A&R for Polygram's Canadian division. He suffered a massive stroke and died in 1989, at the age of 52.

James and Lucky Peterson - If You Can't Fix It

Okay if This one one don't set some tongues awaggin' then I will be speechless. You are discovering this particular album at very nearly the same time as I.

An ongoing conversation behind the earlier Sada post brought up the subject of Lucky and I knew I had one or two but I checked the net and found a live link to This marvel with a path that lead to an extinct blog. Whosoever you may be my friend I thank you and I will keep your link alive by continuing to use it here.

" Lucky Peterson (born Judge Kenneth Peterson, December 13, 1964, Buffalo, New York is an American musician who plays contemporary blues, fusing soul, R&B, gospel and rock and roll. He plays guitar and keyboards. Music journalist Tony Russell, in his book The Blues - From Robert Johnson to Robert Cray has said, "he may be the only blues musician to have had national television exposure in short pants."

Peterson's father, bluesman James Peterson, owned a nightclub in Buffalo called The Governor's Inn. The club was a regular stop for fellow bluesmen such as Willie Dixon. Dixon saw a five-year-old Lucky Peterson performing at the club and, in Peterson's words, "Took me under his wing." Months later, Peterson performed on The Tonight Show, The Ed Sullivan Show and What's My Line?. Millions of people watched Peterson sing "1-2-3-4", a cover version of "Please, Please, Please" by James Brown. At the time, Peterson said "his father wrote it". Around this time he recorded his first album, Our Future: 5 Year Old Lucky Peterson for Today/Perception Records and appeared on the public television show Soul!.

As a teen, Peterson studied at the Buffalo Academy for Visual and Performing Arts, where he played the French horn with the school symphony. Soon, he was playing backup guitar and keyboards for Etta James, Bobby "Blue" Bland, and Little Milton.

The 1990s were a prolific period for Peterson. Two solo Bob Greenlee produced albums for the Chicago-based Alligator Records (1989's Lucky Strikes! and the following year's Triple Play) remain his finest recorded offerings. He then released four more for the record label, Verve Records (I'm Ready, Beyond Cool, Lifetime and Move). While with Verve, Peterson collaborated with Mavis Staples on a tribute to gospel singer Mahalia Jackson, called Spirituals & Gospel. Peterson played electric organ behind Staples' singing.

More albums from Peterson came after 2000. He recorded two for Blue Thumb Records (Lucky Peterson and Double Dealin'), and one for Disques Dreyfus entitled, Black Midnight Sun. In 2007, he released his latest album on JSP Records, titled Tete a Tete."