Showing posts with label Johnny Adams. Show all posts
Showing posts with label Johnny Adams. Show all posts

Tuesday, December 19, 2017

Johnny Adams - Christmas In New Orleans

Certainly one of the more maudlin Christmas albums ever, but it IS Johnny Adams so...

".....In 1975, he recorded his only Christmas album (A Christmas With Johnny Adams - Ace 2046) which has since been re-released on vinyl in 1987 as Maison de Soul LP-1023 with a different cover, then in a 1993 CD by Ace with the original LP cover, and again as a 1994 CD by Mardi Gras Records with still another cover and the title changed to Christmas In New Orleans.

His effortless handling of a mix of traditional carols and some of the more memorable Pop/R&B Christmas tunes ever written, all recorded at New Orleans' Sea Saint Studio and produced here with excellent sound reproduction and new and informative liner notes written by Jeff "Almost Slim" Hanusch, makes this the perfect album for Holiday enjoyment."

Backing musicians include guitarists Walter Washington and Jimmie Moliere, pianist/organists Sam Henry Jr. And Raymond Jones, pianist Isaac Bolden and drummers Danny Jones and Benson Dupre."

Okay, not Johnny's finest by any measure, but it is seasonally appropriate.

Monday, March 21, 2016

Johnny Adams - Live in New Orleans unpublished broadcasts

Another re-post: 

I gotta say that it always bothered me that this got no response when I first posted it here - I mean how often do you have a shot at unreleased Johnny Adams?

Johnny was a singer's singer blessed with a huge, personal sound that made anything he chose to sing thoroughly authentic. He had a good ear for songs and does some of the greatest ever covers of writers like Doc Pomus and Percy Mayfield. In my mind, Adams perfectly represents the gumbo of New Orleans music; he's at home with jazz, blues, funk... hell with those pipes he could sing any damn thing he wanted.
Johnny Adams - Live in New Orleans
unpublished broadcasts


1) Intro
2) Georgia
3) You'll Never Have a Man Like Me
4) A Room With a View of the Blues
5) Please Send Me someone to Love
6) One Foot in the Blues
7) Married Women
8) CC Rider
1-8 @ Tipitina's 1/28/98 w/ the Dave Bartholomew Orchestra
9) Until You
10) I Cover the Waterfront
11) I Lost My Mind
12) Roadblock My Baby
13) The Verdict
14) Walking on a Tightrope
9-14 @ Howling Wolf, Rounder Jazz Fest Party 4/29/95 w/ Torkanowsky,Vidacovich, Singleton & Plas Johnson.

Johnny Adams - Sings Pomus and Mayfield

A re-post by request: After reading my own earlier introduction I've determined that one of these days soon I'll expand this bad boy with All the other covers that Adams did of these two giant songwriters just to make "The Ultimate" version:

1/19/14  Well I brought this up now didn't I? These two albums do not represent the sum total of J.A. covers of either of these two, they were clearly favorites of his, but it is wonderful to have two entire albums dedicated to these marvelous songwriters.

"Whenever Johnny Adams does a repertory album, it's as much his own showcase as a forum for the spotlighted composer. Even Percy Mayfield's lyrically brilliant works don't hamper Adams from displaying his special magic; his treatments on the session's ten tunes range from excellent to magnificent. Adams is gripping on "My Heart Is Hangin' Heavy," nicely bemused on "The Lover and the Married Woman," and convincing on the title track and "Danger Zone." Although he's done numerous Rounder vehicles, Adams hasn't yet turned in a dud."

"The late Doc Pomus was one of the top songwriters in the R&B/blues tradition while Johnny Adams was one of his favorite singers; their eventual matchup was quite logical. Pomus wrote a few new songs and worked with Adams on planning this Rounder CD up until his own death. Fortunately the project was not halted and resulted in an enjoyable set. Pomus' intelligent and universal lyrics perfectly fit Adams' style which features flawless enunciation and an ability to sincerely convey a wide range of emotions. With hornlines arranged by Red Tyler, occasional brief solos contributed by pianist Dr. John and guitarist Duke Robillard, and top notch singing by Johnny Adams, Doc Pomus' music is well served on a strong set of blues and ballads."

Friday, January 8, 2016

Johnny Adams - The Early Singles of the Tan Canary

Okay...,it becomes a regional thing here. To me this is the baddest Johnny of the whole damn bunch right here! Johnny Adams could be drunk AND have pneumonia and STILL out sing damn near any MoFo on the planet.....just saying, imo and all that (of course if you disagree you need some Qtips).

I've completely reworked this early post to include the vast majority of the Tan Canary's early singles - there are three collections in the 2 links and only 2 tracks overlap giving you....drum roll....50 tracks!

 "He was born in New Orleans, Louisiana, the oldest of 10 children, and became a professional musician on leaving school. He began his career singing gospel with the Soul Revivers and Bessie Griffin's Consolators, but crossed over to secular music in 1959. His neighbor, songwriter Dorothy LaBostrie, supposedly persuaded him to start performing secular music after hearing him sing in the bathtub, and he recorded LaBostrie's ballad "I Won't Cry" for Joe Ruffino's local Ric label. Produced by teenager Mac Rebennack (later known as Dr. John), the record became a local hit, and he recorded several more singles for the label over the next three years, mostly produced either by Rebennack or Eddie Bo. His first national hit came in 1962, when "A Losing Battle", written by Rebennack, reached #27 on the Billboard R&B chart.

   After Ruffino's death in 1963, Adams left Ric and recorded for a succession of labels, including Eddie Bo's Gone Records, the Los Angeles-based Modern Records, and Wardell Quezergue's Watch label. However, his records had limited success until he signed with Shelby Singleton's Nashville-based SSS International Records in 1968. A reissue of his recording of "Release Me", originally released on Watch, reached #34 on the R&B chart and #82 on the pop chart. Its follow-up, "Reconsider Me", a country song produced by Singleton, became his biggest hit, reaching #8 on the R&B chart and #28 on the pop chart in 1969. Two more singles, "I Can't Be All Bad" and "I Won't Cry" (a reissue of the Ric recording) were lesser hits later the same year, and the label released an album, Heart and Soul. However, he left SSS International in 1971, and recorded unsuccessfully for several labels, including Atlantic and Ariola, over the next few years. At the same time, he began performing regularly at Dorothy's Medallion Lounge in New Orleans as well as touring nightclubs in the south.

  In 1983, he signed with Rounder Records, and began recording a series of nine critically acclaimed albums with producer Scott Billington. Beginning with From the Heart in 1984, the records encompassed a wide range of jazz, blues and R&B styles while highlighting Adams' voice. The albums included tributes to songwriters Percy Mayfield and Doc Pomus, as well as the jazz-influenced Good Morning Heartache which included the work of composers like George Gershwin and Harold Arlen. The albums, which also included Room With A View Of The Blues (1988), Walking On A Tightrope (1989), and The Real Me (1991), brought him a number of awards, including a W.C. Handy Award. He also toured internationally, including frequent trips to Europe, and worked and recorded with such musicians as Aaron Neville, Harry Connick Jr., Lonnie Smith, and Dr. John."

He died in Baton Rouge, Louisiana, in 1998 after a long battle with prostate cancer."