Clarence Carter - The Early Fame Singles 1966-70

Now you may ask yourself 'why is he re-posting this?' - Well for two reasons: A) This one is in FLAC with cover scans (finally got around to it) and B) It is a prelude because my friends Volume 2 has finally been released! Oooo Yeah!

"Born in Montgomery, Alabama on January 14, 1936, Carter attended the Alabama School for the Blind in Talladega, Alabama, and Alabama State College in Montgomery, graduating in August 1960 with a Bachelor of Science degree in music. His professional music career began with friend Calvin Scott, signing to the Fairlane Records label to release "I Wanna Dance But I Don't Know How" the following year. After the 1962 release of "I Don't Know (School Girl)," Carter and Scott left Fairlane Records for Duke Records, renaming themselves the CL Boys for their label debut, Hey. In all, the duo cut four Duke singles, none of them generating more than a shrug at radio.

In 1965, they traveled to Rick Hall's FAME Studios in Muscle Shoals to record "Step by Step" and its flip side, "Rooster Knees and Rice." Atlantic Records took notice and released "Step by Step" on its Atco Records subsidiary, but it flopped. Carter continued as a solo act, signing to the Fame Records label for 1967's Tell Daddy. Several more solid singles followed, until Carter released "Slip Away," which hit number 6 on the Pop Charts. "Too Weak to Fight" hit number 13. Several more soul singles followed, like "Snatching It Back," "Making Love (At the Dark End of the Street)", "The Feeling Is Right," "Doing Our Thing" and "Patches." "Patches" (first recorded by Chairmen of the Board) was a UK number 2 and a U.S. number 4 in 1970, and won the Grammy Award for Best R&B Song in 1971. This disc sold over one million copies, and received a gold disc awarded by the R.I.A.A. in September 1970, just two months after its release. Following "Slip Away" and "Too Weak to Fight", it was Carter's third million-seller.

With the advent of disco in the mid 1970s, Carter's career suffered, before he found a new audience with songs such as "Strokin'" and "Dr. C.C." in the 1980s and 1990s, which appealed (and still appeal) to a primarily African-American working-class audience that was also interested in contemporary blues and soul artists such as Denise LaSalle, Bobby Rush, Marvin Sease and Sir Charles Jones. "Strokin'" was given great acclaim when it was used in the Eddie Murphy film The Nutty Professor. Carter's strong soul sound also found an audience within the then-nascent hip-hop community. Most notably, the horn break from Carter's song "Back Door Santa", is sampled in the Run-D.M.C. Christmas song "Christmas in Hollis"