Tuesday, February 16, 2016

Beef Ball Baby! - The New Orleans Recording sessions

"Stupendously rare or unissued New Orleans R&B and blues in incomparable sound quality.

Despite being based in Linden, New Jersey, DeLuxe recorded all across the USA in the company’s formative period in an attempt to score hits. DeLuxe was the first indie to tap into what was going on in the Crescent City in the years immediately following WWII. The label’s biggest find during that time was Roy Brown, the subject of two CDs in our “King & DeLuxe Acetates” series. In “Beef Ball Baby!” you can hear the surviving acetates of some of the other highly talented people DeLuxe recorded in New Orleans in the acetate era.

Long before Fats Domino took the city’s music to the masses, “Beef Ball Baby!” shows that the New Orleans R&B revolution was already under way. In this package we bring you Chubby “Hip Shakin’” Newsom and her husband-to-be Eddie Gorman, future hit-maker Jewel King and three all-time legends of New Orleans music: Cousin Joe, Smiling (Smiley) Lewis and Dave Bartholomew. In the case of Lewis and Bartholomew, the tracks mark their studio debuts as named artists. Their historical significance is just as significant as their musical value

For years a rumour circulated that the early DeLuxe acetate masters had perished in a warehouse fire. When Alec Palao and I painstakingly packed the surviving King acetates to be shipped to Ace, around a decade ago, we were delighted to find at least 80% of them were not only intact but, for the most part, in pristine condition. Just how clean most of them are can be judged from the sound of this CD – particularly in the four “Smiling” Lewis tracks, which sparkle with such clarity that listeners could almost have been in the room with him when he cut them at what was his first session. The quality of the shellac on which DeLuxe 78s were pressed being as poor as it was, we guarantee you will never have heard any of these tracks, eight of which are previously unissued, sound as good as they do here."

Tony Rounce for Ace

14 comments:

KingCake said...

http://www.embedupload.com/?d=7LY5KYEXBH

pmac said...

Had no idea this existed - looks damn good. Thanks, buddy!

Lou Cypher said...

What pmac said, word for word!

Preslives said...

Nice. Most of what I have of this is from scratchy 78s. These are the masters! Hell yes!

Chocoreve said...

Great share ! Many thanks !

rontokyo said...

This one's certainly new to me as well. Thank You!

velobrewer said...

I have fond recollection of your jazz blog! I was sad to see it go. Found this blog yesterday...Thanks.

KingCake said...

@velobrewer check behind the dark blue door on the right, labeled Kingcake Crypt Redux

Anonymous said...

This is one great surprise and many thanks to you. It's hard to explain why New Orleans music is so compelling, language freezes. Nobody could write a page that would move you, shuffle you down a street. I know a cat named after Coco Robicheaux because of his eyes and sometimes looking at the cat move, I think of what Doris Lessing wrote about her cat - you look at a fish and you think it looks like moving water, it's the expression of moving water, a cat looks like moving air. New Orleans music hits you like moving air, and feels like moving air. Everything changes in the listening.
Again, many thanks.

The annonymous Zed.

crispy critter said...

I dont post much, and dont check in for weeks at a time but every time I drop in here I'm simply amazed at the great stuff and wonderful range of fine tunes , and the great commentary and community. Thank you, thank you KC and others for sharing such great music and continuing this blog filled with groove heart and soul.

kristophermc28 said...

Nice! Thanks for this KC, looks like a sweet collection.

Brush&Stick said...

Thank you for these classics in great sound!

poppachubby said...

Fantastic...

Dirk Bill said...

Absolutely fantastic sides, thank you for posting this!

Post a Comment

Note: Only a member of this blog may post a comment.