Friday, October 18, 2013

Slim Harpo - The Excello Singles Anthology

"Born James Moore in Lobdell, Louisiana, United States, the eldest in an orphaned family, he worked as a longshoreman and building worker during the late 1930s and early 1940s. He began performing in Baton Rouge bars under the name Harmonica Slim and later accompanied his brother-in-law, Lightnin' Slim, both live and in the studio.

Named Slim Harpo by producer J.D. "Jay" Miller, he started his own recording career in 1957. His solo debut was the Grammy Hall of Fame single "I'm a King Bee" backed with "I Got Love If You Want It."

Harpo recorded under A&R man J.D. "Jay" Miller, in Crowley, Louisiana for Excello Records based in Nashville, Tennessee, and enjoyed a string of popular R&B singles, including Rock & Roll Hall of Fame inductee "Rainin' In My Heart" (1961) and the number one Billboard R&B hit "Baby Scratch My Back" (1966). On these recordings he was accompanied by the regular stable of Excello musicians, including Lazy Lester.

Never a full-time musician, Harpo had his own trucking business during the 1960s. He died following a heart attack at the age of 46, 20 days after his birthday. Harpo was buried in Mulatto Bend Cemetery in Port Allen, Louisiana." wiki

"... He was born James Moore just outside of Baton Rouge, LA. After his parents died, he dropped out of school to work every juke joint, street corner, picnic, and house rent party that came his way. By this time he had acquired the alias of Harmonica Slim, which he used until his first record was released. It was fellow bluesman Lightnin' Slim who first steered him to local recordman J.D. Miller. The producer used him as an accompanist to Hopkins on a half-dozen sides before recording him on his own. When it came time to release his first single ("I'm a King Bee"), Miller informed him that there was another Harmonica Slim recording on the West Coast, and a new name was needed before the record could come out. Moore's wife took the slang word for harmonica, added an "o" to the end of it, and a new stage name was the result, one that would stay with Slim Harpo the rest of his career.

Harpo's first record became a double-sided R&B hit, spawning numerous follow-ups on the "King Bee" theme, but even bigger was "Rainin' in My Heart," which made the Billboard Top 40 pop charts in the summer of 1961. It was another perfect distillation of Harpo's across-the-board appeal, and was immediately adapted by country, Cajun, and rock & roll musicians; anybody could play it and sound good doing it. In the wake of the Rolling Stones covering "I'm a King Bee" on their first album, Slim had the biggest hit of his career in 1966 with "Baby, Scratch My Back." Harpo described it "as an attempt at rock & roll for me," and its appearance in Billboard's Top 20 pop charts prompted the dance-oriented follow-ups "Tip on In" and "Tee-Ni-Nee-Ni-Nu," both R&B charters. For the first time in his career, Harpo appeared in such far-flung locales as Los Angeles and New York City. Flush with success, he contacted Lightnin' Slim, who was now residing outside of Detroit, MI. The two reunited and formed a band, touring together as a sort of blues mini-package to appreciative white rock audiences until the end of the decade. The new year beckoned with a tour of Europe (his first ever) all firmed up, and a recording session scheduled when he arrived in London. Unexplainably, Harpo -- who had never been plagued with any ailments stronger than a common cold -- suddenly succumbed to a heart attack on January 31, 1970." Cub Koda

5 comments:

KingCake said...

http://www.embedupload.com/?d=1MRRATNMLO-slim_harpo_-_the_excello_singles_anthology_[disc_1].rar
http://www.embedupload.com/?d=6HIVE3GQMH-slim_harpo_-_the_excello_singles_anthology_[disc_2].rar

gouldee said...

KC, another great one, and again new to me. Thanks. G

GuitarGus said...

I have these but d/l anyway - Such a lovely - laid-back- sound - A big influence on the Brit blues-boom scene of the 60's
Cheers as ever

Feilimid O'Broin said...
This comment has been removed by the author.
Feilimid O'Broin said...

Like Gus, I love Harpo's laconic sound and hear traces of Jimmy Reed in his music although he was far from derivative. I know he and J. D. Miller are credited with perfecting Louisiana swamp blues but I question why everything originating outside of New Orleans in Louisiana is labeled "swamp" as if it were sluggish and reflective of an isolated backwater. For one, I, in my musical naivete and ignorance, find the music from the bayous, such as Cajun and zydeco, an exhilarating synthesis of the music from the various cultures that settled in south Louisiana and, consequently, hardly simple or rustic. Even the Québecois pay homage with Je Me Souviens on their license plates to the exile of the Acadians to Louisiana (from Un Canadien Errant: "Si tu vois mon pays, Mon pays malheureux, Va, dis à mes amis Que je me souviens d'eux." Clifton Chenier, Zachary Richard, Michael Doucet, Ann Savoy, and Queen Ida, among others, were or are hardly country rubes playing in isolated backwaters uninfluenced by contemporary music. I guess we need our iconic imaginings of the purity of allegedly rural music and raw talent although west Baton Rouge parish in the shadow of the Mississippi River, from which Harpo came, doesn't strike me as especially rural. We've seen this deceptive branding before. After all, John Lee Hooker's electric career was willfully overlooked to depict him as a primal delta blues man and Big Bill Broonzy suffered the same fate, depicted as an Arkansas farmer in overalls well after he settled in Chicago. For two, Harpo's delivery doesn't sound that country or rural to me and J. D. Miller's production, as reflected by the wonderful series posted on Uncle Gil's archives (we're up to disc 45!) was hardly unsophisticated.

Harpo's music had a great deal of humor in it and one can hear his influence in the music of the Stones; Them; Van Morrison, especially when live; the Kinks, and other British bands, as Gus notes. Even Gil Scott Heron sang a Harpo tune so what exactly is swamp blues? To me, Harpo's music was very well produced, his singing and playing wonderfully understated, and not unsophisticated in its irony and the deceptive simplicity of the beat. Then again, Tony Joe White suffered from the same simplistic labeling, swamp rock, even though as sophisticated a singer as Brooks Benton could have a monster hit with White's classically beautiful song "Rainy Night In Georgia".

I ramble and meander verbosely and maybe take this stuff too seriously but I appreciate your eschewing use of the term "swamp blues" in your write-up To pretentiously quote the bard from "Romeo And Juliet": Tis but thy name that is my enemy ... What’s in a name? that which we call a rose By any other name would smell as sweet. And sweet and fragrant as a rose Slim Harpo's music certainly is to the ears of this non-musician. If there is anything this blog has proven, thanks to you and the omniscient influence of Unkie Cliff, it's that Louisiana, even with its bizarre Napoleonic code, and, in particular, New Orleans, are the birthplaces of an incredible diversity of styles and genres of music from these United States and, although inherently a giant of U.S. culture, New Orleans is truly our only Caribbean city mirroring the crossroads that the Caribbean has been for a host of peoples and musical styles.

Oh yeah, I almost forgot, thanks for posting this and, although I have it already, I am downloading it again to be retained on a back-up drive just in case the computer apocalypse strikes and my personal source of rapture, my music collection, is erased thanks to the four horsemen and other spectral figures intent on destroying my collection of what is erroneously considered by some to be the devil's music. Sorry for the late response, Autumn is incoming and with it the weather changes that make no meager sacrifice to the gods of Sinus.

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