Monday, August 20, 2012

Junior Parker - Driving Wheel


I had intended to begin with the two volumes of Duke singles that MCA/Universal issued prior to abandoning their complete Junior Parker on Duke set, but frankly the remastering is so hideous I'm going to start with this far better sounding MCA Canada set while I see if anything can be done for the 2 US discs. 

Junior Parker (May 27, 1932 – November 18, 1971) was an American Memphis blues singer and musician. He is best remembered for his unique voice which has been described as "honeyed," and "velvet-smooth". He was posthumously inducted into the Blues Hall of Fame in 2001. One music journalist noted, "For years Junior Parker deserted down home harmonica blues for uptown blues-soul music"

Junior Parker was born West Memphis, Arkansas.

He sang in gospel groups as a child, and played on the various blues circuits beginning in his teenage years. His biggest influence as a harmonica player was Sonny Boy Williamson, with whom he worked before moving on to work for Howlin' Wolf in 1949. Around 1950 he was a member of Memphis's ad hoc group, the Beale Streeters, with Bobby 'Blue' Bland and B.B. King.
   
In 1951 he formed his own band, the Blue Flames, with the guitarist Pat Hare. Parker was discovered in 1952 by Ike Turner, who signed him to Modern Records. He put out one single on this record label, "You're My Angel." This brought him to the attention of Sam Phillips, and he and his band signed onto Sun Records in 1953. There they produced three successful songs: "Feelin' Good" (which reached # 5 on the US Billboard R&B chart), "Love My Baby," and "Mystery Train", later covered by Elvis Presley. For Presley's version of "Mystery Train", Scotty Moore borrowed the guitar riff from Parker's "Love My Baby", played by Pat Hare. "Love My Baby" and "Mystery Train" are considered important contributions to the rockabilly genre.

Later in 1953, Parker toured with Bobby Bland and Johnny Ace, and also joined Duke Records. Parker and Bland headed the highly successful Blues Consolidated Revue, which became a staple part of the southern blues circuit. He continued to have a string of hits on the R&B chart, including the smooth "Next Time You See Me" (1957); re-makes of Roosevelt Sykes' song "Driving Wheel" (1961), Robert Johnson's "Sweet Home Chicago", Guitar Slim's "The Things That I Used to Do" (1963), and Don Robey's "Mother-in-Law Blues" (1956); plus his own "Stand by Me" (1961).

His success was limited after he left Duke in 1966. He recorded for various labels, including Mercury, Blue Rock, Minit, and Capitol.

Parker died on November 18, 1971, at age 39, in Blue Island, Illinois, during surgery for a brain tumor.

7 comments:

wouter said...

great post, KC!
junior parker sure was a fine bluesman, with some great songs (driving wheel, next time you see me, both played them with my band in the stone ages...).

i have his two-CD duke recordings, but this is a fine one-cd overview!

GuitarGus said...

Thanks KC

I have Vol 1 of the MCA Duke recordings (1992) on CD which doesn't include most of these tracks so I was well pleased - Always good to hear the mellow tones of JP anytime
Cheers

KingCake said...

Those MCA Duke volumes one and two (they never finished the set) are two of the worst remastering jobs EVER, ANYWHERE! The idea that those guys put their names on those recordings is stunning - Midrange is overamped to the point of resembling the sound of a power saw, there is no balance from low to mid to high, no soundstage presence - the whole sound is hard and unappealing - horrible work by the worst re-issue house anywhere - these guys make Charley and Collectables look good and at least they had the excuse of no masters to work with. MCA had the masters and STILL produced crap!

poppachubby said...

Shwing... All new to me!! Exciting stuff to be sure, can't wait to hear this!!

Jazzjet said...

Many thanks for this fine recording. I don't suppose you - or anyone else - has Parker's 'Blues Man' album he did for Minit in, I think, 1969?

KingCake said...

I have the Complete Mercury and Blue Rock recording but not the last three sessions - the Minit stuff from 1969 was released under United Artist and had a full horn section added, then there was a Capitol session with gaudy strings etc in 1970 and finally a small combo session on Groove Merchant that I have never heard but would love to.

Jazzjet said...

I have a couple of Groove Merchant sessions but not sure which one you mean. I have 'Love Ain't Nothin' But A Business Goin' On' and one with Jimmy McGriff - 'Good Things Don't Happen Every Day'. If either is the one you want to hear just let me know.

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