Showing posts with label Verve. Show all posts
Showing posts with label Verve. Show all posts

Monday, May 22, 2017

Howard Tate - Get It While You Can (The Legendary Sessions)


 Howard Tate (August 13, 1939 – December 2, 2011) was an American soul singer and songwriter.

He moved with his family to Philadelphia in the early 1940s. In his teens, he joined a gospel music group that included Garnet Mimms and, as the Gainors, recorded rhythm and blues sides for Mercury Records and Cameo Records in the early 1960s. Tate performed with organist Bill Doggett and returned to Philadelphia.

Mimms, leading a group called the Enchanters, introduced Tate to record-producer Jerry Ragovoy, who began recording Tate for Verve Records. Utilizing New York session musicians such as Paul Griffin, Richard Tee, Eric Gale, Chuck Rainey, and Herb Lovell, Tate and Ragovoy produced, from 1966 to 1968, a series of soul blues recordings that are regarded as some of the most sophisticated of the era. "Ain't Nobody Home" (1966), "Look at Granny Run Run" (1966), "Baby I Love You" (1967), and "Stop" (1968) all written or co-written by Ragovoy, were well received by record buyers. "Ain't Nobody Home", "Look At Granny" and "Stop" charted in the Top 20 in the US Billboard R&B chart.

Janis Joplin performed another of Tate's Ragavoy songs, "Get It While You Can", (on Pearl) during this time. Tate's reputation among critics was high. As Robert Christgau wrote in his review of Tate's Verve material, "Tate is a blues-drenched Macon native who had the desire to head north and sounds it every time he gooses a lament with one of the trademark keens that signify the escape he never achieved. He brought out the best in soul pro Jerry Ragovoy, who made Tate's records jump instead of arranging them into submission, and gave him lyrics with some wit to them besides."

Tate, working apart from Ragovoy, made an album called Howard Tate's Reaction that was released in 1970 on Turntable Records. Produced by Lloyd Price and Johnny Nash, it was distributed in small quantities. Christgau wrote, "Tate's voice is potent enough to activate more inert material." The record was reissued, as Reaction, in 2003. Ragovoy and Tate reunited for the 1972 Atlantic Records Howard Tate, which included more songs by Ragovoy, along with Tate's cover versions of Bob Dylan's "Girl from the North Country" and Robbie Robertson's and Levon Helm's "Jemima Surrender."

After recording a single for Epic Records and a few songs for his own label, Tate retired from the music industry in the late 1970s. He sold securities in the New Jersey and Philadelphia area, and in the 1980s developed a dependence on drugs, ending up living in a homeless shelter. In the mid-1990s, Tate began counselling drug abusers and the mentally ill, and worked as a preacher.

A disc jockey from Camden, New Jersey, Phil Casden, discovered Tate's whereabouts early in 2001, and in spring 2001 Tate played his first date in many years, in New Orleans. He then began working with Ragovoy on an album that was released, as Rediscovered, in 2003. It included covers of songs by Elvis Costello and Prince, as well as a new version of "Get It While You Can."

At the Roskilde Festival in 2004, he sang "Love Will Keep You Warm" with Swan Lee. The song can be found on Swan Lee - The Complete Collection (2007).

In 2006, Shout! Factory released Howard Tate Live, recorded in Denmark in 2004. Working with producer, arranger and songwriter, Steve Weisberg, Tate recorded A Portrait of Howard, which was released in 2006 on the independent Solid Ground label. It included compositions by Randy Newman, Nick Lowe, Lou Reed and Carla Bley, as well as songs written by Tate and Weisberg. In late 2007, Tate recorded Blue Day in Nashville with producer Jon Tiven, and this was released in 2008.

Tate was also a judge for the 6th annual Independent Music Awards to support independent artists' careers.

2010 saw a release of a limited vinyl only, direct-to-disc live recording from Blue Heaven Studios, with Tate and his touring quartet performing songs from his catalog.

On December 2, 2011, Tate died from complications of multiple myloma and leukemia, aged 72

Thursday, March 28, 2013

James Brown - Jazz

I was pleasantly surprised by this album.  It was released in 2007, just like many albums were after JB's demise.  This one however is different.

Firstly, the tracks really flow nicely together and have the cohesiveness of a proper album.  In truth it's quite a hodge podge of tunes - including a couple unreleased tracks, instrumental jams and tracks with vocals added which had none.

All that said, the second and probably main difference of this collection would be musical relevance.  All the tracks here sound like A-sides rather than throw aways.  The JB crew is the Ellis/Parker vintage, and earlier, and man these guys can swing with little effort.  Brown really shows off his chops here too, both vocally and on the organ.

I ripped this in proper FLAC and included all of the scans... enjoy!!!

Brown helms dynamic takes on contemporary jazz tunes (Cannonball Adderley's "Tengo Tango" and Joe Zawinul's "Why (Am I Treated So Bad)," among others), as well as revitalizing much-loved standards like "That's My Desire." The material ranges through the 1960s and '70s, and features a number of alternate mixes and singles edits, some of which have never seen the light of day (making the set a must for Brown collectors). James Brown fans might wonder at the title and at the fact that this posthumous collection is issued on Verve, the classic jazz label, but one listen through these 12 cuts will answer any questions. The Godfather was the king of soul and the architect of funk, but he also had a yen for jazzier flavors, as this excellent swinging set demonstrates. - CD Universe
James Brown (organ); 
Dee Felice Trio (vocals); 
Les Buie, Wallace Richardson, Jimmy Nolen, Bill Pittman, Alfonzo Kellum, Louis Shelton (guitars); 
David Parkinson, Ernie Watts, Nat Jones, Joe Romano (alto saxophone); 
Eldee Williams, Al "Brisco" Clark, Les Asch, Pete Christlieb, St. Clair Pinckney, Buddy Collette (tenor saxophone); 
Charles Carr, Maceo Parker, Jimmy Mulidore (baritone saxophone); 
Teddy Washington, Joe Dupars, Waymon Reed, Richard "Kush" Griffith, Robert Knight , Ron Harper, Al Aarons, John Audino, Chuck Finley, Tommy Porello, Mack Johnson, Ron Tooley (trumpet); 
Kenny Schroyer, Wilmer Milton, Fred Wesley, Jimmy Cleveland, Nick Dimaio, Bill Tole (trombone); 
Levi Rasbury (valve trombone); 
Frank Vincent, Alfred Ellis (piano); 
Bernard Odum, Al Lucas, Ray Brown , Sam Thomas , Lee Tucker (bass guitar); Clyde Stubblefield, Nat Kendrick, Melvin Parker, Obie Williams, John Starks, Louie Bellson, Bernard "Pretty" Purdie, Dee Felice (drums); 
Jack Arnold (percussion).