Dinah Washinghton - A Slick Chick (On The Mellow Side) FLAC LP Rip

Since I have just recently completed a crispy fresh rip of this relatively rare double LP from Unkie Cliff, I thought it might be appreciated if I shared.

The sub-title tells you the story of this one, the focus is Dinah's reign as the queen of the R&B charts. It will depend on your collection as to whether or not this one fills any holes for you. The covers will expand in high rez when clicked, so you can check to see what's here.

Dinah Washington - The Queen Sings 1948-1951

Here are  parts 3 & 4 of this marvelous Proper set covering the first 7 years of recordings featuring The Queen.  (Thanks Cliff) For me these R&B years are some of my favorites (of course the 1954 Jam sessions are way up there too) of her too short career.

Like most singers of the age, Ms Dinah is covering tunes from all sorts of genre's but I think you can make a strong case that the music that she, Helen Humes and Billie Holiday are singing between 1944 and 1950 is as much R&B as it is Jazz. A scan through the titles here shows at least as many Blues/R&B songs as there are standards and Pop songs. Her version of Percy Mayfield's Please Send Me Someone To Love comes not even a year after the original, making it one of the earliest covers of that classic.

"Dinah Washington recorded a stunning amount of material in her too-short career (when she died in Detroit in 1963 she was only 39 years old -- somehow she still managed to find time for seven marriages), most of it during her lengthy association with Mercury Records between 1948 and 1955. Washington seemingly tackled everything under the sun in the recording studio, cutting jazz, R&B, blues, and pop sides with an assortment of small groups, trios, sextets, and increasingly, toward the end of her life, with large orchestras, and if she seemed to be gradually fading into blander and sleeker arrangements as time went on, her voice always remained focused and coiled, and her bluesy phrasing has influenced far more singers than most folks realize. This four-disc, 109-track set includes every side commercially released under Washington's name between 1944 and 1951 (each of the four discs has been previously released by Proper as a stand-alone album), opening with tracks recorded with Lionel Hampton and closing out with a couple of delightful selections recorded with the Ravens. Much of what is here falls to the R&B side, revealing a somewhat rougher style that will be revelatory to listeners only familiar with her later more smoothed-out pop material. This lady could sing anything in any style and make it her own (just listen to how she claims Hank Williams' "Cold, Cold Heart" here). This box is an absolute treasure trove from one of the best singers of the 20th century." AMG

Dinah Washington - The Queen Sings 1944-1947

Dinah is some of the earliest music I remember hearing at home, my Mom has always been  a fan. I've not read enough about her to be able to do any better than the wiki for now:

"Ruth Jones was born in Tuscaloosa, Alabama, United States, and moved to Chicago as a child. Dinah became deeply involved in gospel and played piano for the choir in St. Luke's Baptist Church while she was still in elementary school. She sang gospel music in church and played piano, directing her church choir in her teens and being a member of the Sallie Martin Gospel Singers. She sang lead with the first female gospel singers formed by Ms Martin, who was co-founder of the Gospel Singers Convention. Jones' involvement with the gospel choir occurred after she won an amateur contest at Chicago's Regal Theater where she sang "I Can't Face the Music".

After winning a talent contest at the age of 15, she began performing in clubs. By 1941-42 she was performing in such Chicago clubs as Dave's Rhumboogie and the Downbeat Room of the Sherman Hotel (with Fats Waller). She was playing at the Three Deuces, a jazz club, when a friend took her to hear Billie Holiday at the Garrick Stage Bar. Joe Sherman was so impressed with her singing of "I Understand", backed by The Cats and The Fiddle, who were appearing in the Garrick's upstairs room, that he hired her. During her year at the Garrick - she sang upstairs while Holiday performed in the downstairs room - she acquired the name by which she became known. She credited Joe Sherman with suggesting it. Hampton's visit brought an offer, and Dinah went to work as his female vocalist in 1943 after she had sung with the band for its opening at the Chicago Regal Theatre. She sang with the Hampton band for two years.

She made her recording debut for the Keynote label that December with "Evil Gal Blues", written by Leonard Feather and backed by Hampton and musicians from his band, including Joe Morris (trumpet) and Milt Buckner (piano). Both that record and its follow-up, "Salty Papa Blues", made Billboard's "Harlem Hit Parade" in 1944.

She stayed with Hampton's band until 1946 and, after the Keynote label folded, signed for Mercury Records as a solo singer. Her first record for Mercury, a version of Fats Waller's "Ain't Misbehavin'", was another hit, starting a long string of success. Between 1948 and 1955, she had 27 R&B top ten hits, making her one of the most popular and successful singers of the period. Both "Am I Asking Too Much" (1948) and "Baby Get Lost" (1949) reached Number 1 on the R&B chart, and her version of "I Wanna Be Loved" (1950) crossed over to reach Number 22 on the US pop chart. Her hit recordings included blues, standards, novelties, pop covers, and even a version of Hank Williams' "Cold, Cold Heart" (R&B Number 3, 1951). At the same time as her biggest popular success, she also recorded sessions with many leading jazz musicians, notably Clifford Brown on the 1954 live album Dinah Jams, and also recorded with Cannonball Adderley, Clark Terry, and Ben Webster....
(this is as far into her career as we are going in this set)
....Washington was married seven times. Her husbands were John Young (1942–43), George Jenkins (1946), Robert Grayson (1947), Walter Buchanan (1950), saxophonist Eddie Chamblee (1957), Rafael Campos (1961), and pro football player Dick "Night Train" Lane (1963). She had two sons: George Kenneth Jenkins and Robert Grayson.

Early on the morning of December 14, 1963, Washington's seventh husband Lane went to sleep with his wife, and awoke later to find her slumped over and not responsive. Doctor B. C. Ross came to the scene to pronounce her dead. An autopsy later showed a lethal combination of secobarbital and amobarbital, which contributed to her death at the age of 39. She is buried in the Burr Oak Cemetery in Alsip, Illinois.