If you recall, our previous Arthur Alexander post ended with him retiring from music in the 70's, disillusioned and broke despite having written multiple songs that others (Dylan, Rolling Stones, Beatles, Joe Tex, Ike & Tina) had hits with. Arthur eventually became a school bus driver in Cleveland, OH and that would likely have been the end of it but in 1990 Alexander was inducted into the Alabama Music Hall Of Fame and subsequently coaxed out of retirement. He made this album in early 1993, he signed a new recording/publishing contract in May of 1993 and his band had begun making live appearances. Arthur even made an appearance on the syndicated radio show "Fresh Air". It appeared he was about to embark on a late life career resurgence but on June 9th of 1993 Alexander had a fatal heart attack.
Showing posts with label Arthur Alexander. Show all posts
Showing posts with label Arthur Alexander. Show all posts
Wednesday, February 6, 2013
Arthur Alexander - Lonely Just Like Me: The Final Chapter
If you recall, our previous Arthur Alexander post ended with him retiring from music in the 70's, disillusioned and broke despite having written multiple songs that others (Dylan, Rolling Stones, Beatles, Joe Tex, Ike & Tina) had hits with. Arthur eventually became a school bus driver in Cleveland, OH and that would likely have been the end of it but in 1990 Alexander was inducted into the Alabama Music Hall Of Fame and subsequently coaxed out of retirement. He made this album in early 1993, he signed a new recording/publishing contract in May of 1993 and his band had begun making live appearances. Arthur even made an appearance on the syndicated radio show "Fresh Air". It appeared he was about to embark on a late life career resurgence but on June 9th of 1993 Alexander had a fatal heart attack.Saturday, October 6, 2012
Arthur Alexander - The Greatest and You Better Move On
Arthur Alexander is a bit of a sad story. He was a huge man with a soft and lovely voice and a talent for songwriting but he was ill suited to fame and performing for the public because he was a shy and somewhat timid man. More than once his shows were cancelled or severely abbreviated due to his anxieties and despite the success of "You Better Move On" his career never gains much traction and today he is largely forgotten.
"Arthur Alexander (May 10, 1940 – June 9, 1993) Alexander was born in Sheffield, Alabama. Working with Spar Music in Florence, Alabama, Alexander recorded his first single, "Sally Sue Brown", under the name of June Alexander (short for Junior), which was released in 1960 on Jud Phillips' Judd Records. (Phillips is the brother of music pioneer Sam Phillips).
A year later, Alexander cut "You Better Move On" at a former tobacco warehouse-turned-recording studio in Muscle Shoals. Released on Nashville's Dot Records, the song became a soul/R&B chart hit, and laid the foundation for the modern recording studio FAME. "You Better Move On" is perhaps Alexander's best-known song, covered by the Rolling Stones, the Hollies, George Jones & Johnny Paycheck and Mink
DeVille. "Anna (Go to Him)", a U.S. R&B Top Ten Hit, was covered by the Beatles and Humble Pie. The Beatles also did live recordings of "Soldier of Love", which was also performed by Marshall Crenshaw and Pearl Jam, "A Shot of Rhythm and Blues", and "Where Have You Been" recorded live at the Star-Club, in Hamburg, 1962. "Set Me Free" (covered by Esther Phillips and Joe Tex) were also major hits and established Alexander as a pioneering arranger of others' tunes, as well as an established songwriter in his own right.
In the mid-1960s, Alexander switched to another label, Sound Stage 7, but failed to find commercial success. Although a 1972 album for Warner Brothers was promising, the singer's potential seemed to wither. He secured a pop hit with "Every Day I have to Cry Some" on Buddah
Records in 1975, but the success remained short-lived. The song was also covered by Ike and Tina Turner (produced by Phil Spector), The McCoys, Dusty Springfield, Joe Stampley, C.J. Chenier and others. The follow-up single "Sharing The Night Together" (written by Muscle Shoals songwriters Ava Aldridge and Eddie Struzick) reached No. 92 on the R&B charts, but earned Dr. Hook & the Medicine Show a Top 10 hit in 1978; the Dr. Hook version would be used in the 2012 Family Guy episode Mr. and Mrs. Stewie.
For many years, Alexander was out of the music business; he was a bus driver for much of this time. In 1990, he was inducted into the Alabama Music Hall of Fame. He began to perform again in 1993 as renewed interest was shown in his small catalogue. His last album Lonely Just Like Me was his first in 21 years. He signed a new recording/publishing contract in May 1993 but suffered a fatal heart attack the following month, three days after performing in Nashville with his new band.
Alexander is the only songwriter whose songs have been covered by the Beatles, the Rolling Stones and Bob Dylan (who recorded "Sally Sue Brown" on his 1988 LP Down in the Groove). "Go Home Girl" was also recorded by Ry Cooder on his 1979 album, Bop Till You Drop."
"Arthur Alexander (May 10, 1940 – June 9, 1993) Alexander was born in Sheffield, Alabama. Working with Spar Music in Florence, Alabama, Alexander recorded his first single, "Sally Sue Brown", under the name of June Alexander (short for Junior), which was released in 1960 on Jud Phillips' Judd Records. (Phillips is the brother of music pioneer Sam Phillips).
A year later, Alexander cut "You Better Move On" at a former tobacco warehouse-turned-recording studio in Muscle Shoals. Released on Nashville's Dot Records, the song became a soul/R&B chart hit, and laid the foundation for the modern recording studio FAME. "You Better Move On" is perhaps Alexander's best-known song, covered by the Rolling Stones, the Hollies, George Jones & Johnny Paycheck and Mink
DeVille. "Anna (Go to Him)", a U.S. R&B Top Ten Hit, was covered by the Beatles and Humble Pie. The Beatles also did live recordings of "Soldier of Love", which was also performed by Marshall Crenshaw and Pearl Jam, "A Shot of Rhythm and Blues", and "Where Have You Been" recorded live at the Star-Club, in Hamburg, 1962. "Set Me Free" (covered by Esther Phillips and Joe Tex) were also major hits and established Alexander as a pioneering arranger of others' tunes, as well as an established songwriter in his own right.In the mid-1960s, Alexander switched to another label, Sound Stage 7, but failed to find commercial success. Although a 1972 album for Warner Brothers was promising, the singer's potential seemed to wither. He secured a pop hit with "Every Day I have to Cry Some" on Buddah
Records in 1975, but the success remained short-lived. The song was also covered by Ike and Tina Turner (produced by Phil Spector), The McCoys, Dusty Springfield, Joe Stampley, C.J. Chenier and others. The follow-up single "Sharing The Night Together" (written by Muscle Shoals songwriters Ava Aldridge and Eddie Struzick) reached No. 92 on the R&B charts, but earned Dr. Hook & the Medicine Show a Top 10 hit in 1978; the Dr. Hook version would be used in the 2012 Family Guy episode Mr. and Mrs. Stewie.For many years, Alexander was out of the music business; he was a bus driver for much of this time. In 1990, he was inducted into the Alabama Music Hall of Fame. He began to perform again in 1993 as renewed interest was shown in his small catalogue. His last album Lonely Just Like Me was his first in 21 years. He signed a new recording/publishing contract in May 1993 but suffered a fatal heart attack the following month, three days after performing in Nashville with his new band.
Alexander is the only songwriter whose songs have been covered by the Beatles, the Rolling Stones and Bob Dylan (who recorded "Sally Sue Brown" on his 1988 LP Down in the Groove). "Go Home Girl" was also recorded by Ry Cooder on his 1979 album, Bop Till You Drop."
Tuesday, August 28, 2012
The FAME Studios Story 1961 - 1973: Home Of The Muscle Schoals Sound
This 3 disc comp is nothing short of excellent. The story of FAME is told through the music - from the pop side all the way to the gut bucket r&b side.
A wide range of artists worked with this legendary outfit, but one thing ties them all together... success!!
I'm sure you guys already have alot of these tracks but they made a huge effort to include some rarities; undoubtedly for the collector types.
Enjoy!!!
Certain studios and labels occupy almost mythical stature in American musical history and FAME Studios, home of the Muscle Shoals sound, is among the elite. During the '60s and into the early '70s, the rotating crew at FAME Studios cranked out single after single, building a legacy that rivals such '60s stalwarts as Motown, Stax/Volt, and Chess, yet despite being the point of origin for such timeless 45s as Wilson Pickett's "Land of 1000 Dances," Arthur Alexander's "You Better Move On," Joe Tex's "Hold What You've Got," Etta James' "Tell Mama," Clarence Carter's "Patches," James & Bobby Purify's "I'm Your Puppet," and Aretha Franklin's "I Never Loved a Man (The Way I Love You)," the label and studio aren't as well known as their peers. Ace's peerless three-disc box The FAME Studios Story: 1961-1973 should go a long way in firming up the label and studio's reputation in the eyes of the mass public. Anchored on those big hits, the compilation tells the story of FAME in exhaustive yet exciting detail, digging up a wealth of rarities (ranging from an unedited acoustic version of "You Left the Water Running" by Otis Redding and a version of "Another Man's Woman, Another Woman's Man" whose singer is unknown to a bunch of singles that rarely pop up on reissues), but this is hardly something for crate-diggers. This is a big, bold set filled with surprises for even seasoned record collectors and much of that has to do with context. Expertly compiled by Alec Palao, Tony Rounce, and Dean Rudland, The FAME Studios Story doesn't shy away from the moments when the Muscle Shoals sound seeped into the mainstream: very early in the set, teen idol Tommy Roe pops up with "Everybody" and toward the end the Osmonds come in with their Jackson 5 knockoff "One Bad Apple" and the revelation is how the FAME musicians gave these teenybopper stars some real swing and funk. That turns out to be the key to the FAME sound -- while Stax/Volt always had grit on the soles of their shoes, FAME was a little lighter, able to ease into slicker crossover material, something that served them well whenever they cranked out some bubblegum or backed Bobbie Gentry or, especially, when they cut effervescent pop-soul/Northern soul singles by Spooner & the Spoons ("Wish You Didn't Have to Go") and David & the Giants ("Ten Miles High"). Which isn't to say FAME didn't get down and dirty (of course they did -- witness Wicked Wilson Pickett's "Hey Jude," complete with guitar from Duane Allman), but they were versatile, adapting to the needs of either the performer or the song. And that very versatility may be part of the reason why FAME isn't as immediately recognizable a name as Motown or Stax -- the Muscle Shoals crew could cop both of those sounds, after all -- but it's also the reason why this set is such a wildly entertaining listen, in addition to being a historically necessary document housed in a very handsome hardcover book.
- Stephen Thomas Erlewine/AMG





